楊淇涵雙簧管演奏會 含輔助文件 尤里士．里茨《雙簧管協奏曲作品，作品33》之樂曲分析與詮釋

尤里士．里茨（Julius Rietz, 1812- 1877），為十九世紀德國作曲家、指揮家與大提琴家，同時為一名優秀的樂譜編輯者，編輯了大量的音樂家作品，為後世留下龐大價值的音樂書庫。里茨的音樂深受孟德爾頌的影響，帶有古典樂派的調性手法，同時加入了浪漫樂派的創新語法。里茨的作品數量不多但種類多元，創作了歌劇、舞台劇、序曲、交響曲與協奏曲等等。本首樂曲創作於1856年，里茨的四首協奏曲中，唯一以Konzertstück （concert piece）命名的獨奏協奏曲作品。樂曲分為三個樂章，而樂章間並沒有終止，為連篇式樂曲。里茨的音樂沒有太難的技巧，融合了古典與浪漫的特色，創造了優美的線條、動人的聲響。十九世紀為一個交替的世代，因此產生了許多分歧的理論。本文首先了解作曲家生平及十九世紀音樂風格，並分析樂曲的架構，融合觀點後探討樂曲的詮釋。全文可分為五個章節，分別為緒論、作曲家生平及創作風格與特色、樂曲分析、樂曲詮釋與結語。期許透過本文給予日後演奏者詮釋的參考。

關鍵字

里茨；雙簧管；協奏曲；浪漫時期；連篇作品

並列摘要

Julius Rietz（1812-1877）is a German composer, conductor and cellist in 19th century. He is also a great editor of music school, who had edited a large number of musician’s works, and left lots of music score for posterity with great values. Rietz’s music was influenced by Mendelssohn. He kept the tone of the aesthetic of classical period, but also added the innovative elements of romanticism music into it. Rietz does not have much works, but varieties of genres. His works include operas, dramas, overtures, symphonies and concertos. The oboe concert piece was composed in 1856; it is the only one of Rietz’s four solo concertos, which named Konzertstück（concert piece）. It is a one-movement work, which divided into three parts and without intermissions. Rietz’s music lacks of virtuosity of performing techniques but combines the features of classical and romanticism, creating the beautiful music lines and moving sounds. The 19th century is a crossover generation for classical and romanticism, and therefore it induced many different theories of performing interpretation. This article is at first to understand the composer's life and music styles in 19th, and presents analyzes of the structure on this work. According to mentions ideas, the author explores the interpretation of this work. There are five chapters in this thesis. Chapter one is introduction; chapter two is a study for Rietz’s life, his compositional style and characteristics; chapter three is the analysis of this work; chapter four is an interpretation of the performance of this work which based on previous chapters; chapter five is the conclusion.