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  • 學位論文

黃春明小說中的家庭主題研究

A Study of the Family as a Theme in Huang Chunming’s Novels

指導教授 : 江寶釵
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摘要


自古家庭即為社會的重要結構單位,在不同的家庭生命週期裡,家庭成員各有不同的角色扮演與期待。黃春明為台灣知名的小說家,他的關懷一貫地落在家庭的主題。由於黃春明的大半輩子見証了台灣的社會變遷,本文以黃春明小說中的家庭主題做為論述的主軸,共分五章。第一、五章為緒論、結論。二、三、四章則探究黃春明小說中的家庭主題,他如何描繪祖父母、父母/兒女,夫/妻之間,其情感糾葛與親情互動之間,而又如何反映了在臺灣當代社會變遷中的人倫關係,引導讀者反思社會現象,思索台灣社會的眾生相。

關鍵字

傳統 世代 家庭倫理 黃春明 角色扮演

並列摘要


Family has always been the basic unit of society. In different family life cycles, family members play different roles and carry different expectations. This article attempts to use the family theme as the central and starting point to explore the family in Huang Chunming’s novels and the complex emotional bonds as well as interactions between family members; so as to see what kind of human ethics they reflect.   The article is divided into five chapters. The first one deals with problematic, a review of the research done by precious scholars; it aims to establish a proper scope of the present study and proposes the current article’s research methods as well as possible contribution. The second chapter talks about the image and role of parents and grandparents as represented in Huang’s writings involving the family theme. The resilience of maternity, as tough as the determination of paternal figures; the two together construct a specific Chinese familial culture that lasts for thousands of years. The caring and kindness shown by grandparents towards the grandchildren, as wide and limitless as the land and sea that never run out. The third chapter analyses the relation between parents and children, how children eventually learn of their parents’ efforts in raising children when they too become parents, and the generation gap in terms of value reflected through different stages of life and the different responses it evokes. In light of which, not every family is happy and satisfied, and the success or doom of a home relies not only on the blood but also on the mutual efforts of family members, on their positive attitude towards a common home. The fourth chapter discusses the matrimonial relation depicted in Huang’s novels. Marriage being the beginning of family, through which, husband and wife establish a socially recognized matrimonial relationship. In Huang’s writing, there are no passionate vows or oaths involved in the plot nor tragic love stories that drive tears to the eyes, but rather plain and simple, down-to-earth love that moves the reader slowly but deeply. The fifth chapter being the conclusion, where I conclude the findings of the study of family theme in Huang’s novels as a whole.   Huang cares much about people from the lower class, and pays special attention to the issue of family. He reflects deeply and criticizes profoundly the concept of “filial piety,” which can only lead us to reflect on contemporary social phenomena and observe the various faces of the people that make up the Taiwanese society as we know.

參考文獻


黃春明,《看海的日子》(台北:聯合文學,2009.05)。
葉石濤,《台灣文學史綱》(高雄:春暉,2003)。
高淑貴,《家庭社會學》(台北:黎民文化事業股份有限公司,1991)。
陳惠齡,〈對鄉土小說焦距的校準-論黃春明《放生》與鄭清文《天燈.母親》的後農村書寫〉,《鄉土性.本土化.在地感:台灣新鄉土小說書寫風貌》(台北:萬卷樓,2010)。
利翠珊、蕭英玲,〈壓力下婚姻韌性的展現:夫妻情感與互動行為之影響〉,《應用心理研究》38期(2008.06),頁151-172。

被引用紀錄


張水錦(2018)。黃春明小說中的男性角色探討〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2018.00974

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