翁鬧及其小說研究

Wong Nao and His Novels

王馨聆(SHIN-LING WANG)

指導教授 ： 楊智景

國立中正大學/文學院/台灣文學與創意應用研究所/碩士(2015年)

摘要

本論文主要聚焦於翁鬧小說的特色與風格，並分為主題式探討，從翁鬧生平與其作品之間的關聯性、現代主義書寫、作品中的殖民地性慾、小說中的構思設定……等方面，對翁鬧及其小說進行分析與討論。經由探討，筆者發現翁鬧的作品富含自傳性，他除了將自身的敏感課題譬如養子、孤兒、個人偏好……等帶入小說之外，同時也在作品裡投射當時三○年代赴日留學生作家的集體困擾與矛盾，翁鬧意識到殖民的事實，故藉〈殘雪〉「林」、〈天亮前的戀愛故事〉「我」呈現出一個文化認同上的猶豫，翁鬧運用自身去架構出一個文學世界。而翁鬧小說在形式上使用了與日本文壇同步的現代主義書寫技巧，內容方面則是與日本、上海新感覺派皆不盡相同，上海新感覺派以描寫都市浮光掠影為主，翁鬧則是還包羅農村的主題，但是翁鬧書寫農村時又不像楊逵、呂赫若、張文環那般寫實主義客觀敘事，而是採用現代主義主觀敘事的創作技巧，融和了普羅的內容與純文學的外在形式。

此外，翁鬧的小說在性、情、慾的表現上除了有現代主義佛洛伊德精神分析學和性心理學的成分之外，還有戀愛以及國族認同上的盲信，翁氏愛慾與新感覺派相形之下比較傾向「殖民地的性」，〈殘雪〉、〈天亮前的戀愛故事〉裡敘事者無法在殖民母國完整由衷的實現性慾，這個帶有缺陷的性慾背後隱藏的意義即是因為殖民事實而產生的民族、自我認同的矛盾。另外在小說的一些設定、構思上，〈殘雪〉裡的白雪意象代表著故事背景氣候、純潔的喜美子、主角「林」的優柔寡斷與新的開始以及殖民的事實，而在文中人物性格方面，翁鬧則大多選擇宛如真實人類的圓型人物來擔當主角，並且多將女性描述成扁平性格，是男性的他者，而在人物命名方面，文中譬如羅漢腳、阿蕊婆、戇伯仔等名字皆反應著角色的人格特質以及當時代日治台灣農村貧窮的典型樣貌，這些設定皆使翁鬧的小說更接近真實的世界。

關鍵字

殖民地性慾 ； 現代主義 ； 自傳性 ； 小說 ； 翁鬧

並列摘要

In this thesis, the unique characteristics and styles of Wong Nao’s (hereafter referred to as Wong) novels are explored, analyzed, and divided into different themes such as the relationship between Wong’s life and his works as well as his depiction of modernism, colonial sexuality, and various ideas and settings. This study discovered that Wong’s works are highly autobiographical in nature. For example, he brought up sensitive issues in his life, such as adopted son, orphan, things that he preferred, and worries and conflicts experienced by Taiwanese student writers who visited Japan in the 1930s. As Wong later accepted the fact that Taiwan had become a colony of Japan, he expressed his concerns for Taiwan’s new cultural identity in his novels Snow that has not Melted Completely, Lin, Love Story Before Dawn, and I, in which the tales were based on his personal story. Concerning Wong’s writing methods and techniques, he adopted the modernism writing technique used by the Japanese literary circles at the time. However, the content of his novels differed from that of Japanese as well as that of the Shanghai New Sensation School, where the latter focused mostly on depicting the charm and allure of cities; by contrast, Wong also covered rural areas. However, contrary to other writers of rural areas such as Yang Kui, Lü He-ruo, and Zhang Wen-huan, who employed a realistic approach to compose objective narratives, Wong utilized a modernistic and subjective approach to invent stories. His writing style incorporated the writing styles of both proletarian and pure literature.

Concerning the presentation of sex, love, and lust in Wong’s novels, it embodies elements such as modern psychoanalysis and psychology of sex introduced by Sigmund Freud as well as love and people’s blind trust in their national identity. Compared with the New Sensation School, Wong’s stories of love and lust are more closely related to colonial sex. In Snow that has not Melted Completely and Love Story Before Dawn, the protagonists’ inability to fulfill their sexual desire in their home country, and the hidden meaning behind this imperfect sexuality is a conflicting sense of national identity and self-identity. Concerning Wong’s ideas and settings in his novels, they are described as follows: In Snow that has not Melted Completely, the image of snow signifies the qualities of the characters as well as the background of the story; it represents the pure-hearted Kimiko, the indecisive lead character Lin, a new beginning, and the realization of one’s homeland becoming a colony. Regarding the personality traits of the characters, Wong generally used male characters with highly distinguishable, true-to-life personalities as lead characters and portrayed female characters as having ordinary personalities and serving the role as mates for men. With respect to the naming of the characters, Wong used names that mirrored the personality traits of his characters and the typical life of poor rural villagers during the Japanese colonial period, such as Luohanjiao (a worthless person), Aruipo (a lonely woman), and Zhuangbozai (an unfortunate person). These settings made Wong’s novels works that truthfully reflected the real world.

並列關鍵字

colonial sexuality ； modernism ； autobiographical ； novels ； Wong Nao

參考文獻

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