「反抗遺忘」是中國當代作家格非寫作理念。對當代現實中國社會進行反思,對昔日美好的進行記錄,則是他貫徹這一寫作理念的方式。「江南三部曲」一書,因作者面對當代理想渙散的現實,通過對中國百年現代化過程中,人們追尋理想的故事的展演,重返真正的「江南」。《人面桃花》通過書寫清末民初時期,人們對理想的生發與傳承,展現江南人過往歲月裡的勃勃生機。《山河入夢》將故事時間放在大躍進時期,通過展現人們在艱難歲月裡,秉持赤誠之心,追尋理想卻遭致毀滅的故事,歌頌江南人的不屈不撓。《春盡江南》關注當代中國,通過書寫江南人家在物慾橫流、環境惡化的社會裡,理想消解後又創生的過程;並以圓形結構,與《人面桃花》進行聯結。「三部曲」以〈桃花源記〉為敘事脈絡,詮釋了「慾與理想」關係,共同為江南人指出了「江南」真正的所在之處:有限時間中日常生活。本論文以文本細讀的方式,結合作者的寫作歷程與思考,對小說進行解讀,以展現出格非所構建的江南世界的文學內涵與核心意義。
Resisting the Oblivion is the core idea of the contemporary Chinese writer Gefei’s. Reflecting on the reality of contemporary Chinese society and recording the beauty in olden days is his way to implement the writing idea. Because of the reality that ideal is being dissipated in the modern China, the author, writes stories that the people search and chase the ideal in the nearly century of Chinese modernization process, to return to the real Jiangnan. A Beauty and Peach Blossoms, the first book of the trilogy is about a story that in the late Qing Dynasty and at the beginning of the ROC, people created the ideal and inherited it, to present the jiangnanese vitality in the past years. Mountains and rivers enter dreams, the second is about a story that at the period of Great leap forward, by showing that the people in the difficult years, upheld a genuine heart to search for the ideal, but the ideal was destroyed. This is to praise the indomitable spirit. Spring ends in Jiangnan is concerned with the contemporary China, written a process that in the materialistic society with the deterioration of natural environment, the ideal created after eliminating, linked to A Beauty and Peach Blossoms through a circular structure. The Trilogy modeled with the Peach Colony written by Tao Yuanming, as a narrative context, explains the relationship between the desire and the ideal, points out where the real Jiangnan is: returning to the daily life in the Limited time. In this paper, with the close look into the novel, combined with the author's writing process and thinking, the novel will be interpreted to present the literary connotation and the core meaning of the Jiangnan world constructed by Gefei.