《圓與點的分界》複合式媒材影像創作與展演

近年來視覺特效愈來愈多的被應用在不同創作表現上，除了寫實的程度提升外，因為無需製作費時耗力的場景，因而補足了實景拍攝的缺憾，透過舞蹈與影像的結合並把視覺特效加入其中，規劃出整體的製作流程。現今社會中許多新聞媒體所報導的社會問題，多半是社會的冷漠及職場的壓力所導致，然而自身卻又活在這一成不變的社會環境中不曾想嘗試去做改變。而在面具的偽裝下又有多少人是發自內心的幫忙，還是只是覬覦其中的利益；透過「圓」與「點」可以是整個社會的縮影，也可以小至一個事件一個人，這之間的分界是模糊不清的，就好比夢境與現實。本創作主要以視覺特效、現代舞蹈、複合式媒材影像的探討作為創作《圓與點的分界》的依據，透過實際拍攝及運用視覺特效與舞者肢體動作的結合，再輔以劇情的穿插，最後以數位合成的方式來把整體的畫面做歸納，希望透過不同媒材之間的整合，來詮釋舞者的肢體表達，而在美術風格上以結合幻想與現實的超現實主義攝影作為畫面的呈現，力求給予觀眾嶄新的視覺感受並產生認同及欣賞。

關鍵字

視覺特效；現代舞；複合式影像媒材；超現實主義攝影；數位合成

並列摘要

In recent years, more and more visual effects to be applied in different creative expression, in addition to enhance the degree of realism, but without requiring much time and effort to make the scene, which make up the shortcomings of live view. The visual effects were added through a combination of dance and image, and planning the overall production process. Many social problems in today's society news media reported, most were indifferent society and workplace stress caused, however itself but to live in this immutable social environment do not wanted to try to change. In camouflage mask, how many people from the heart to help, or just one of the coveted interests; through the "circle" and "point" may be a microcosm of society as a whole to be a small event to a person, in between the boundaries are blurred, like a dream and reality. This is mainly to explore the creation of the visual effects, the modern dance, and the composite mediums of images, which as a basis to create "boundary circle and point", through the use of visual effects and body movements of the dancers combined with the actual shooting. Finally we use the way of digital synthesis to make the whole picture of induction. We hoped that interpret the physical expression of the dancers through the integration between different mediums, and mixed of fantasy and reality in the art style as a presentation of surrealist photography pictures. We strived to give the audience a new visual experience with the identification and the appreciation.

並列關鍵字

Visual Effects ； Modern Dance ； Mixed Art Video ； Surrealist Photography ； Digital Composite

參考文獻

[1] 林志明. (2005年12月). 新媒體藝術之「新」的藝術向度. 哲學與文化第卅二卷第十二期.

[4] 嚴振欽. (2012). 影像視覺特效之擬真元素創作研究. (頁 89-90). 崑山科技大學視訊傳播設計暨媒體藝術研究所.

[2] Blinn. (1994). J.F.jim blinns corner:Compositing part 1:Theory. IEEE Computer Graphics & Applications, 頁 83-87.

[6] MartinJohn. (1933). The Modern Dance.

[2] BrinkmannRon. (2008). Digital Compositing. 擷取自 http://www.mlab.uiah.fi/touch/DCN/DC.html

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《圓與點的分界》複合式媒材影像創作與展演

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