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  • 學位論文

3D電腦動畫《不平凡的慷慨》創作論述暨紀錄動畫片相關探討

Creation Description of 3D Animation“ Unnormal Generosity” and Investigation of Documentary Animation

指導教授 : 陳賢錫

摘要


紀錄動畫片既是動畫片也是紀錄片,是一種利用動畫技術敘述故事的紀錄片。它的概念偏向是動畫片與紀錄片的結合,是一種融合了虛構和真實元素的媒體形式。其中的紀錄片本身是記錄著一段故事、事件、事故中的真實,而動畫的部分則可以去呈現出無法呈現的地方,譬如:情緒、時間、歷史等,沒有辦法在「現今」與「現實」中直接取材的一段內容。所以在觀看紀錄動畫片時,觀眾可能會有疑慮,質疑它們呈現的內容是否真實?紀錄片與動畫如何融合?又或是動畫在紀錄片中該如何保有真實? 根據約翰·格里爾生(John Grierson)對紀錄片下的定義:「對真實事物(的影像紀錄)的創意性處裡」,他的理論被廣泛使用至少20年,也是到目前為止最常被引用的紀錄片定義,但其實一直有許多爭議。其中台灣紀錄片導演兼學者李道明認為這句話應該可以擴大為「對曾經存在的真實事物或曾經發生的事件做創意性的處理」。所以動畫若運用在紀錄動畫片之中,「真實」的區塊也就是故事中的真實事物,創意性處理則是以動畫方面的呈現。 雖然紀錄動畫片是一種結合了動畫和紀錄片的新型媒體形式,但是通過動畫的加入,它擴展了紀錄片的表現形式和可能性,並且能夠更好地表達主觀創造性。它同時維持了紀錄片的「事實核心」,並且在客觀呈現和藝術性表達中取得了一個很好的平衡,促進了紀錄片對「真實」更藝術化的表達。因此,紀錄動畫片的關係與動畫片和紀錄片是包容的關係,客觀呈現和藝術性表達中取得了一個很好的平衡,促進了紀錄片對「真實」更藝術化的表達。 本創作《不平凡的慷慨》是利用3D電腦繪圖方式創作出手繪插畫風格,將台灣的街景描繪,紀錄台灣偉人陳樹菊,她的過去至今,從小到大及默默為世人所奉獻的一切,其背後緣由以3D紀錄動畫片方式呈現。

並列摘要


An documentary animation is a combination of both animations and documentaries, using animation techniques to tell a story and creating a media form that includes both fictional and real elements. As a result, viewers of documentary animations will ask whether the content of the documentary animation is true when real and imaginary shows together. How do documentaries and animation blend? Or, how can animation maintain realism in documentaries? John Grierson defined the documentaries as "creative treatment of actuality", and his theory has been widely used for at least 20 years and is also currently the most frequently quoted definition of a documentary, but it has actually always been controversial. Taiwanese documentary director and scholar Dao-ming Li believes that this sentence should be expanded to "creatively processing previously existing real things or events that have occurred". Therefore, if animation is used in a documentary animation, the "real" part is the real things in the story, and the creative part is the animation presentation. Although documentary animations are a new type of media form that combines animations and documentaries, through the addition of animation, it expands the expression form and possibilities of documentaries and can better express subjectivity and creativity. At the same time, it maintains the "reality" in documentaries and achieves a good balance between objective presentation and artistic expression, promoting a more artistic expression of "reality" in documentaries. Therefore, the relationship between animated documentaries and animation and documentaries is inclusive, achieving a good balance between objective presentation and artistic expression and promoting a more artistic expression of "reality" in documentaries. This work, " Unnormal Generosity," is 3D documentary animation, was created with 3D animation, showing the hand-drawn illustration style of Taiwan's streetscapes and to record the life of Taiwan's great person, Shu-chu Chen from childhood to the present, and all that she has silently dedicated to the world.

參考文獻


Hann, J. S. (2012). A case for the animated documentary [Unpublished doctoral dissertation]. University of Montana state.
Sun, D. (2019). Animated Documentary: A New Form of Representing Reality [Unpublished doctoral dissertation]. University of Dublin.
Kent, A. E. (2015). Drawing it out: The form and function of animation in science documentary film [Unpublished doctoral dissertation]. University of Montana state.
陳興宜(2002)。3D電腦動畫《甲蟲人》創作論述〔未出版之碩士論文〕。臺灣藝術藝術大學多媒體動畫藝術學系。
陳俊霖(2009)。卡通人物造型與性格設計之研究創作〔未出版之碩士論文〕。臺灣藝術藝術大學多媒體動畫藝術學系。

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