默示

從地球暖化的科學紀錄瞭解地貌改變已影響生物的滅絕，考察聖經以賽亞書的神喻和默示，總是以地貌改變導致生命的滅絕，喚起人悔改，在基督教信仰中，地貌改變暗示著神的憤怒，以古代流傳以及現代觀點作為研究開端，研究符號的象徵理論，延伸到詮釋圖像學，分析泰納、慕夏、杜勒和達比埃斯四位藝術家的象徵圖像。在象徵理論的哲學探討中，歸納幾位哲學家的研究方向，謝林和赫德認為象徵是圖像與意義的統一，巴希和黑格爾認為象徵不只有意義。帕諾夫斯基認為象徵形式勾勒每個時代的藝術意志。分歧的論點使研究導向詮釋學。詮釋現象心理學家高達美認為解釋和語言制訂的過程中，有一個關鍵的融合，理解需要一個融合過去和現在之間的翻譯。另一方面，卡西勒認為語言符號是心靈自我反思，也是詮釋圖像學所探討的全面性世界觀。以版畫為媒材，並且包含意義和情感的象徵形式，賦予新的詮釋，並感嘆地球暖化已是神憤怒的默示。

關鍵字

地球暖化；聖經以賽亞書；神諭；象徵理論；詮釋圖像學

並列摘要

According to the science records of global warming, change of landforms is indeed the factor of biological extinction.Christians believe that the change of landforms implies God’s wrath based on the oracle and implication of Isaiah(Bible).Beginning with ancient and modern points of views, this research traces Friedrich Wilhelm Joseph von Schelling and Herder consider that the union of icons and significance means symbolism. However, Victor Basch and Georg Wilhelm Friedrich Hegel consider that symbolism is not directly from significance.Wolfgangk‧H‧Panofsky points out that symbolism is the art will of every period.Diverse viewpoints affect this research exploring the words, medium, worlds, and styles of Hermeneutic Iconology. Gadamer, psychologist of Hermeneutics, mentions that understanding entails a “fusion of horizons”between the past and the present, that is, between the interpreter . Every understanding is at its root an application of meaning, where our experience and background are brout to bear. Ernst Cassirer regards language as introspection, that is, Weltanschauung of Hermeneutic Iconology. Print is the material to create symbols of significance and affection as well as new point of Hermeneutic in order to sigh the global warming which is the implication of God’s wrath.