靈與零-張育維彩墨創作論述

本論述以「靈與零」為主題，大自然為題材，從一張白紙和一片空白開始，將靈感發展創作到呈現系列作品。第一章緒論，筆者從小學觀察毛筆墨色在水中產生的變化，引發對水墨的創作的動機，並以大自然作為主題，用簡單的工具和材質，嘗試各種技法和玩趣，達到創作主題的呈現之目的。第二章相關學理探討，現代水墨—創新技法與任真自然的意蘊展現，從水墨現代化之父劉國松重新思索中國水墨畫的文化定位，到將傳統書法融入現代水墨與西方抽象藝術形式的馮鍾睿，以及結合理性與玩性的陳其寬，在建築與繪畫雙領域中，繪畫超出建築的理性，建築與藝術，在理性與感性間，維持絕妙共振的關係，也深化我們對美的領悟。西方抽象表現主義於自然意象之詮釋，則是以蒙德里安〈灰樹〉作品的淨化哲理和簡潔的線條、色彩表現方式，秀拉點描派和分光法為代表。第三章創作理念與形式，詳述創作理念的起源和歷程，表現的主要形式以及使用媒材與技法融入陶藝的展現。第四章作品詮釋，〈清居嵐山〉、〈山城靜居〉和《天地．風水》系列彩墨作品與陶藝作品《蝸牛》、《天地．風水》系列的創作理念說明和表現分析。第五章結論，對此創作從動機、主題訂定、創作過程到作品呈現，做反思和歸結。藉由本次系列創作，除了為近年來的創作風格和想法作一總結，也為未來創作的路程提供更多思考方向和課題；創作的路程沒有終點，期盼能夠秉持本心和初衷，突破既有框架，倘佯在其中。

關鍵字

大自然；水墨；空白；陶藝；意象

並列摘要

The subject of this discussion is “Spirit and zero”, which used nature as creative theme. Started from a blank paper and nihility, the author worked through inspirations and developed a complete series of works Chapter 1 Introduction The author observed the changes of ink in water in childhood, which provided the motive of ink creation. In the process of performing creative theme, used simple tools and materials, tried various techniques and added interests. Chapter 2 Related Theory Review The modern ink painting is characterized by innovation technique and natural implication. I compared with the features of some modern famous Chinese ink art painters. For the example, Liu Kuo-Sung, who is the founder of modern ink art, rethought the cultural orientation of Chinese ink painting. Fong Chung-Ray combined traditional calligraphy art with modern ink painting, as well as western abstract art. As for Chen Chi-Kwan, who is expert in the field of architecture and painting, not only created a harmonious relationship rationality and emotionality in his creation, but also deepened our comprehension in beauty. In addition, “the gray tree”, one of the first paintings in which Piet Mondrian applied to a natural subject, also expressed the purification of philosophy, and simply represented the color and lines. Georges Seurat, who is known as Pointillism and divisionalism, are the two representatives for western abstract expressionism in the interpretation of the natural image. Chapter 3 Creation philosophy and Forms In this chapter, elaborated the origin and process of creative concepts, and the main forms of expression. Also, used mix materials and techniques to combine with ceramic art. Chapter 4 Work Annotation Concept statement and work analysis for ink wash painting and ceramic series: “Mount Lan residence”, “Mountain City Resort” and “Heaven Earth‧Wind Water”. Chapter 5 Summary Summarized the motive and subject establishment, reflected and concluded the process of creation, as well as work performance. This series of work, not only summarized characteristic style of works these years, but also provided more thinking orientations and topics in the future. There is no ended to creations, the most important thing is upholding the beliefs and breakthrough the frame, keep finding my own way.