場所性人文環境介入之探索—台江九份子體驗中心設計規劃

在台灣豐富的生態以及多樣化的地質地貌，在地現代的都市重劃中，限縮了這些資源，並且人文景觀與視覺景觀也因之受到嚴重破壞。古台南地形東半部是台地，西半部是陡降入海的地形，隔海外圍是沙洲，形成內海，自古稱「台江」。海岸遭數次海進與海退作用，加速侵蝕與堆積，沙丘平原不斷往西擴張、與外圍沙洲銜接為陸地。早期屬平埔族活動區域，地貌上日照充足，長期開發為鹽田、魚塭等，產生許多濕地生態，具有歷史場所意義。本創作研究除提供具有文化記憶體驗中心，創作理念以「場所」的本質形塑此設計規劃。台江因天、地、人、神影響，運用場所本質之自然現象，具有時間、空間、人、建築的對話操作，並把場所中自然和歷史元素的斷片，重新予以組成秩序性的空間創作。本研究論述中，設計概念源於台江原始居民西拉雅族之生活場域、人文景觀、自然環境的原質與特性，整合歷史場所、自然景觀、素材和空間之運用，涵構一個與土地息息相關的和諧共生場域。運用水域、綠籬與自然現象之變化，交疊出光影的多元層次，探索具歷史、文化、生態特色的場域，回歸台江歷史記憶之本質與精神。在本設計手法中，研究清代畫家眼中的世界，完美的呈現人與環境的理想互動。藉此研究和探索，設計操作期能建構合宜的生活休閒場域，喚醒合乎人和自然的記憶和感動，並且解決人文和視覺的設計規劃。

關鍵字

場所本質；台江記憶；濕地生態；平埔族；自然元素；歷史文化

並列摘要

In Taiwan, the rich ecology and diverse geological landform have been confined in the modern urban replanning, while the human landscape and visual landscape have been severely damaged. The east of ancient Tainan was plateau and the west was steep in the ocean. Skirts of the ocean were sandbank and it formed the enclosed sea called “Tai-Jiang”. The coast encountered several times of transgression and regression and it accelerated erosion and accumulation. Expansion of sand dune continued to the west and it connected with the sandbank of the skirts as the land. In early times, it was the activity area of Taiwanese plains aborigines. The sunshine was sufficient and it had been developed as salt pan, fish farm, etc. It resulted in diversity of wetland ecology and shows the significance of historic place. This study provides experience center of cultural memory and the concept of creation and design is based on essence of “place”. Tai-Jiang is influenced by heaven, earth, human and god. This study applies natural phenomenon of place essence and operation interaction among time, space, human and architecture. It recomposes the fragmental natural and historic elements in the place as ordered spatial creation. In this study, the design concept is originated from aboriginality and features of living place, human landscape and natural environment. It integrates historic place, natural landscape, elements and space to form a harmonious symbiotic place closely linked to land. Light and shadow alternate diversely through water area, hedges and changes of natural phenomena to explore historic, cultural and ecological feature places and restore essence and spirits of Tai-Jiang memory. In the design, an ideal interaction between human and environment is well presented from the view of painters of Qing Dynasty. Through this research and exploration, a suitable life and leisure place can be constructed during design operation period to awaken memory and affection of human to nature, and deliver the cultural and visual design planning.