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  • 學位論文

傳統底片重曝攝影創作—以台南八大文化園區為例

Tradition film Double Exposure photograph creation as an Tainan Eight Cultural Parks

指導教授 : 黃俊綸

摘要


台灣是一個多元且文化樣貌豐富的國家,這些特徵幾乎都可由早期開發的城市中發現。歷經時代的變遷與改革,現今台南透過文化園區的規劃與整合,完整的城市歷史面貌已然成形,但對於要更完整的表達整體意象而言還需要更加以強化。人類主要透過說話、書寫、圖像等不同系統的符號型式來進行傳遞訊息溝通,圖像是一般人最容易掌握及記憶資訊的來源,也是最易理解的表現方式。本創作由個人對台南體驗為觀點探討出發,針對台南市的八大文化園區之發展進行攝影創作,主要目的分為以下幾點:一、透過攝影記錄,利用攝影能保存影像與表現出細節的特質,讓觀賞者感受影像的真實性與張力。二、藉由攝影傳達台南八大文化園區的歷史特色及整體意象。三、在數位化普及的時代,已漸漸遺忘傳統影像的初衷與拍攝時的驚喜感,希望藉由本創作繼續保留與重拾對純樸影像的熱忱與感動。四、藉由對於台南的情感,利用攝影方式呈現個人對台南的熱忱與熱情。本研究利用能夠代表八大文化園區的特色,使用重複曝光的拍攝方式,希冀在作品中呈現一種新、舊台南歷史軌跡與現代生活融合為一的視覺意象,使觀者得以獲得一種時空與文化交錯的視覺體驗。

並列摘要


Taiwan is a Multicultural country, most can find these cultures in the early period, and the earliest developed city is Tainan. As time change, the Cultural Parks reintegrate and re-planning those important cultures, now Tainan have a new history appearance , For a more complete expression to the overall need for more enhanced imagery.The primary way humans express themselves through speaking, writing, images and other different symbols to convey the messages. Images is the most easy source that people can grasp and memory, and it is the most easy way to realizes what is means.This creation is my view on Tainan.This research based on Cultural Area of Eight Cultural Parks in Tainan City. The main purpose of the research divided into the following: 1.By photographic records. Use photograph can save the image and show the details of the images that make viewers feel the real and high tension of the images. 2.Convey the Cultural Area of Eight Cultural Parks in Tainan City By photographic. 3.Along with popularization of digital, we have forgotten the original intention of traditional image and how surprise when we shooting. I hope to maintain the original intention and regain the simple image’s enthusiasm and sensation. 4.Because of my emotion with Tainan , I use photography to show my enthusiasm for Tainan. In this study, to represent the characteristics of the eight cultural park, the use of repeated exposure of shooting, Hope the portfolio can show a new, old Tainan, to make the viewer feel a new visual experience by the fusion of time and culture.

參考文獻


1. Arthure Rothstein(2004)。紀實攝影。(李文吉譯)台北市:遠流。
2. Benjamin,W.(2004)。迎向靈光消逝的年代:班雅明論藝術。(許綺玲、林志明譯)。桂林:廣西師範大學出版社。
3. David Fontana﹙2007﹚。象徵的名詞。(何盼盼譯﹚。台北市:知書房出版社。
4. Gisele Freund(1990)。攝影與社會。(盛繼潤、黃少華譯)。臺北:攝影家。
5. John Berger(2002)。影像的閱讀。(劉惠媛譯)。台北市:遠流出版事業股份有限公司。

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