透過您的圖書館登入
IP:3.142.201.206
  • 學位論文

史戴普斯的木笛奏鳴曲之分析與詮釋─以C小調及降E大調奏鳴曲為例

Analyzation and Interpretation of Hans Ulrich Staeps' Recorder Sonatas in C minor and in E-flat Major

指導教授 : 陳孟亨
若您是本文的作者,可授權文章由華藝線上圖書館中協助推廣。

摘要


漢斯‧烏爾里希‧史戴普斯(Hans Ulrich Staeps, 1909-1988)為二十世紀一位重要的演奏家、作曲家以及音樂教育家。作曲手法除了受到其恩師保羅‧亨德密特(Paul Hindemith, 1895-1963)的影響之外,也常運用其他各式不同的風格及技法、將木笛音樂推展至以往從未到達的境界。 在《C小調木笛奏鳴曲》之中,史戴普斯不僅是以三個降的調號來寫作,其音樂詞彙也較為接近我們一般所熟知的「調性音樂」,此舉呼應了他在開頭以義大利文所加註的 "in Modo Preclassico",而"in Modo Preclassico"原文的意思是表示《C小調木笛奏鳴曲》是以前古典主義的作曲手法而創作的。因此在樂曲中不難發現許多巴洛克時期的創作手法;而《降E大調木笛奏鳴曲》則是完全以臨時升降記號所寫成:不只是在視覺上、聽覺上也較《C小調木笛奏鳴曲》來得前衛許多。 因此本文主要分以下幾個章節來探討:第一章說明本文之研究動機、目的與方法;第二章主要探究史戴普斯的生平、創作風格以及木笛作品;第三章及第四章依樂曲本身的調性、曲式、創作手法等面向來分析《C小調木笛奏鳴曲》並以此為根基來做為樂曲詮釋之依據;第五章以及第六章分別為《降E大調木笛奏鳴曲》之分析及詮釋;第七章則以前述章節之論述為基礎,將兩首木笛奏鳴曲做一說明及對比;最後的第八章為結論與建議,歸納總結筆者的研究心得與建議。

並列摘要


Hans Ulrich Staeps (1909-1988) was an important German performer, composer and music educator in the 20th century. The sundry composing style was influenced by his mentor,Mr. Paul Hindemith (1895-1963), the representative of Neoclassicism. He also combined a variety of different music styles and techniques to accomplish his recorder compositions to reach the highest level. Stapes not only wrote three decrescendo in the Recorder Sonatas in C minor, but his musical terms also closed to the “Tonal Music “as we know. It responds to the "in Modo Preclassico" description of Italian in the beginning. so it is easy to find many Baroque conceptions in his music . The Recorder Sonatas in E-flat Major is written completely with temporary key signature. It’s beyond the trend than Recorder Sonatas in C minor both in visually and audibly. This study is divided into seven chapters. The first chapter explains the research motivation, purpose and approach of my study. The second chapter explores the life, creation style and recorders of Staeps. The third and the fourth chapter focused on the analysis of Recorder Sonatas in C minor. Following the tonality, music style, and composing methods, I have my personal interpretation of the recorder. The fifth and the sixth chapter are the analysis and interpretation of the Recorder Sonatas in E-flat Major. The final chapter is to sum up the previous chapters, and to make descriptions and comparisons of two recorders.

並列關鍵字

Hans Ulrich Staeps Recorder

參考文獻


中文書目
王韋璇(2013)。亨德密特《為長笛與鋼琴的奏鳴曲之作品分析與詮釋探討》。
臺北市立大學碩士論文。
江長毅(2015)。韓德爾《爲木笛與數字低音所作之G小調奏鳴曲,HWV360》
吳明宗(2000)。《木笛100問》。臺南:小神童出版社。

延伸閱讀