德布西《前奏曲第一集》兩首選曲之作品分析及詮釋探討─〈吹過原野的風〉及〈西風所見的東西〉

克勞德•德布西（Claude Debussy, 1862-1918）是影響法國近代音樂創作最重要的音樂家之一，也是印象樂派（Impressionism）的代表人物。作為印象樂派的主要作曲家，德布西在其生涯中創作鋼琴音樂不歇，除了融合象徵主義（Symbolism）及印象主義的精神外，亦融入異國風格元素。在他的作品中，我們可以深刻的感受到其對鋼琴音樂的實驗性以及自由創新的技巧，這些技巧在音色中調和了濃淡色彩，並在聽覺中創造了多層次的音樂世界。德布西的鋼琴《前奏曲》是他成熟時期的代表作品，此創作突破傳統調性與和聲方面的規則，運用了五聲音階、全音音階、半音階、持續音、平行和弦等素材與技法，於鋼琴音樂的探索達到巔峰。本論文首先探討德布西的生平背景與創作風格，之後針對《前奏曲第一集》兩首選曲:第三首〈吹過原野的風〉與第七首〈西風所見的東西〉作深入探究，希冀透過樂曲創作背景、素材與技法，結合印象樂派之想像與色彩，展現其音樂內涵。

關鍵字

德布西

並列摘要

Claude Debussy (1862-1918) was one of the most important musicians who influenced the creation of modern French music and a representative figure of Impressionism. As the main composer of the Impressionist School, Debussy continued to create piano music during his career. In addition to fusing the spirit of Symbolism and Impressionism, he also added elements of exotic styles. In Debussy’s works, we can deeply realize his experiments on piano music and his free and innovative techniques. These techniques harmonize the shades of timbre and create a multi-level music world in the sense of hearing. Debussy’s "Preludes" for piano are representative works of his mature period. These works break through the traditional rules of tonality and harmony, using pentatonic scale, diatonic scale, chromatic scale, sustained note, parallel chords and other materials and techniques. The exploration of piano music has reached its peak. This thesis first discusses Debussy’s life background and creative style, and then focuses on the two "Preludes": ‘The Wind Blowing Through the Wilderness’ and ‘What the West Wind Sees’ to make a comprehensive exploration of the background, materials and techniques, combined with the imagination and colors of the impressionist school, to show its musical connotation.