摘要
毫微於心裡的表徵 研究生：張克安 指導教授：林鴻文 台南應用科技大學美術碩士班 摘要 此創作論述研究範圍為2014年至2017年的創作歷程，詮釋作者對於記憶裡遺留下的深刻事物的痕跡，這段創作過程裡的記載，最主要以痕跡作為繪畫的表現，其中包含線條及自動技法的呈現，並且探討著與以往自我的生命歷程及家庭給予的感受，並深化至創作之中。作者生命的每一個記憶片段在腦海裡滯留，以畫筆代替作者將扎實的感受潛入作品內，並將圖像本身帶出既有的情感，達到一種記事感就如同手寫筆記一般，在那時所敘述的天、時、人、事，深刻難以忘懷何以去表達？在表達後又如何用指紋線形去闡述對於過去的情懷？彼此的相互關係是作者在這段經歷所要的述說。 論述分為下列六個章節，第一章起源，尋找對於作者內心的紋理，講述作者面對每一件事物的深層想像與心思的細膩，進而接納圍繞在事件上的發生，引領觀者對於作者細膩心像的認知。第二章初始於線性的分毫，線條的形成與發展，圖像於線性上的各種表現，展現細微的線形表徵，嘗試以指紋形象去延伸對於作者的內心紋理，並探索創作中黑與白的跡象。第三章空域中的意象，從實驗中去分類創作的各項狀態，研究與實行釋放出線條以外的表現方式，以廣義的爆破作為一個創作的形式，闡述視覺創作的一種進程，發想於內心的圖像，尋求內心與作品相互聯繫的模式。第四章平靜的內心抒寫，敘述創作中旋律的連貫法，以最為緊密的距離串聯起作品與內心，解析相互對應的觀感。引發創作跡象的對照，並整理創作與內心連結的整合，排序作品內表徵的定義，階段性的顯示細膩與毫微現象是整體研究的核心。第五章創作方法，創作的材料選用，線性呈現的方式與細節，講述作品命名的由來，圖像與基底材質的協調，及畫面的保存方法。第六章，創作與跡象。第七章結語，本創作研究的結語，創作階段的里程碑及對於未來創 作的起點。
並列摘要
The Minuscule Inner Character Graduate：Ke-an Zhang Adviser：Hong-wen Lin Graduate Program in Fine Arts， Tainan University of Technology Abstract This work detailed the creation history from 2014 to 2017. It transcribes the deep impressions resides in author’s memory, the record of this creation mainly focus on the trace as the emphasis of this presentation, it includes the representation of line and auto techniques, and explores the feeling of author’s life journey and family, they are further imbedded in the creation. The author’s every memory fragments are stayed in the mind, and thru the paintbrush, it inserts the author’s true feeling in to the sub-consciousness of the artwork. It let the picture itself brings out the feelings of the past, to achieve a sense of records just like a hand written journal, how does one be able to present the true feeling of time, people, and space? How does one describe the feeling after the work is done like the fingerprint recounting the past. The author tries to present relationship between each other. The discussion are divided in to the following 6 chapters: first chapter is the introduction, it explores the author’s internal though process, it seeks the author’s deep imagination and detailed mind on everything to gain a greater appreciation of the surroundings, so it can lead the observers to have a better understanding of the author’s exquisite emotion. The second chapter originated from the detail of lines, the formation and the development of lines, and the representation of line element to the artwork to show its illustration. It tries to use fingerprint style to form and develop author’s internal profoundness, and explore the contrast between black and white. The third chapter draws from empty spaces, through the experimentation to classify various states of creation, studying and implementing other form of expression outside the lines, using explosion as broader meaning in a form of creation to describe a process of visual creation. It is inspired from the image of the mind, seeking the connection between the mind and the artwork. The fourth chapter is the self-reflection, It describes the connectivity of the creation rhythm, it connects the mind and the creation with the tightest distance, explaining each other, it leads to the contrast of the creation, and combine the creation and the mind, it defines the characterization of the work, displaying the refinement and microscopic detail as this study’s core value step by step. Chapter 5 is the creation method, it discuss the selection of the material, methods of representation and detail, it describes the naming of the work, the coordination between the image and the material, and the methods of preservation. Chapter six: creation and signature. Chapter seven: conclusion, it is the conclusion of this study, the milestone of the creation, and the starting point for the future. Keyword: Fingerprinting, Polymer, Milligram, Immediately, Microscope, Consciousness
參考文獻
延伸閱讀
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