阿斯特•皮耶佐拉的《鋼琴組曲，作品2》之研究分析與演奏詮釋

阿斯特．潘塔萊翁．皮耶佐拉 (Astor Pantaleon Piazzolla, 1921-1992)是20世紀阿根廷籍作曲家、指揮家及班多尼翁(Bandoneon)手風琴演奏家。在阿根廷享有「偉大的阿斯托」(El Gran Astor)之美譽。本論文為《鋼琴組曲，作品2》之研究，透過分析樂曲架構及作曲技巧，以皮耶佐拉的生平與時代背景為輔，進一步針對該曲在演奏詮釋方面進行研究以對皮耶佐拉的音樂風格有更深入的了解。本文共分成四個章節：第一章緒論探討研究動機與目的、研究方法與步驟；第二章為《鋼琴組曲，作品2》之相關背景探討，分別介紹阿根廷的音樂文化、皮耶佐拉之生平、音樂風格、《鋼琴組曲，作品2》之作品相關背景介紹以及與希那斯特拉(A. Ginastera, 1916-1983)的關聯。第三章為《鋼琴組曲，作品2》之樂曲分析與詮釋探討，由樂曲架構、動機手法、節奏型態及和聲架構對此組曲作品加以分析，並由譜例的呈現作為輔助，進而加以探討音樂詮釋。第四章為結語，透過研究《鋼琴組曲，作品2》，皮耶佐拉使用多樣化的作曲技法，以鮮明的個人特色音樂語法，開創屬於他自己的獨特風格。

關鍵字

皮耶佐拉；阿根廷

並列摘要

Astor Pantaleon Piazzolla is an Argentina composer, conductor, and the Bandoneon organist of the 20th century. In Argentina he enjoyed a great reputation as “El Gran Astor.” This thesis explores Suite Para Piano, op. 2, with an analysis of its musical structure and compositional skills, combining Piazzolla’s biography and living history, to further examine the interpretation and performing of the piece, so as to obtain a thorough understanding of Piazzolla's music style. This study is divided into four chapters. The first chapter is the introduction, including the purpose of the study, research methods, and the steps taken. The second chapter probes into relevant background of the piece, Suite Para Piano, op. 2, with a focus on argentinian music culture, the biographical sketch and music style of Piazzolla, and the relevance between himself and argentina composer A. Ginastera. The third chapter is the music analysis and the discussion on interpretation of Suite Para Piano, op. 2. This composition is analyzed in terms of its musical forms, motries, rhythmic patterns and harmony structures; moreover, the musical examples are shown to assist investigating the interpretive ideas of this composition. The fourth chapter is the conclusion of this thesis. Through the study of Suite Para Piano, op. 2, it is clear that Piazzolla used diverse compositional techniques to create his own unique music styles.