貝多芬《C小調主題與三十二首變奏曲》之研究與詮釋報告

A Study of Performance Interpretation on Luwing van Beethoven’s Thirty-Two Variations on an Original Theme in C minor, WoO 80

李雨宸(Yu-Chen Li)

指導教授 ： 陳宜蓁

台南應用科技大學/藝術學院/音樂系碩士班/碩士(2018年)

摘要

變奏曲是一種使用有限材料，並發揮無限想像力的一種音樂類型。變奏曲最早起源於文藝復興時期的複音音樂，直到二十世紀，仍然為作曲家經常使用的創作手法之一。貝多芬一生寫過許多變奏曲，他追隨前輩創作的精華，並將他的人生經歷和自我創造融入他的變奏作品中。同時成為了十九世紀浪漫樂派的先驅。
本文貝多芬《C小調主題與三十二首變奏曲》研究報告共有六個章節，第一章為緒論；第二章為貝多芬的生平及創作時期之概論；第三章為貝多芬變奏曲的創作特徵和作曲方法；第四章為本文的研究與分析；第五章為演奏詮釋與探討；第六章為結論。

關鍵字

變奏曲 ； 貝多芬 ； 《C小調主題與三十二首變奏曲》

並列摘要

Variation is a type of music forms by using limited materials with boundless imagination. It originated from polyphonic music in the Renaissance period. It is still one of the most frequently used forms by composers until 20th century.
Beethoven had written plenty of variations in his entire life. He followed the elite of the predecessors while integrating his life experiences and creative ideas into his variations. Therefore, it became a pioneer of Romanticism in the 19th century.
The study of “Thirty-Two Variations on an Original Theme of C minor” has six chapters.” The first chapter is the introduction, and the second chapter describes the life of Beethoven and the styles of his three compositional periods. Chapter three discusses the characteristics and compositional methods of Beethoven’s variations. Chapter four is the analytical study of Thirty-Two Variations on an Original Theme of C minor. Furthermore, the fifth chapter is the study of performance practice, and the entire theses concludes in the sixth chapter.

並列關鍵字

Variation ； L. v. Beethoven ； “Thirty-Two Variations on an Original Theme of C minor”.

參考文獻

一、中文書目

王杰珍譯，康奈•德拉克著。貝多芬鋼琴奏鳴曲-他本人的彈奏和教學。桃

園市：原笙國際出版社，2008。

邵義強。貝多芬Beethoven 〈下〉-小傳·鋼琴曲·戲劇音樂·聲樂曲。臺北市：天同出版社，1986。

邵義強。維也納古典樂曲賞析。臺北市：錦繡出版社，1999。