貝多芬《C 大調第四號大提琴奏鳴曲， 作品一零二之一》 研究與詮釋

The Research and Interpretation of Beethoven' s Cello Sonata No. 4 in C Major, Op. 102 No. 1

陳恩寧(Chen En-Ning)

指導教授 ： 歐陽伶宜

國立臺灣師範大學/音樂學院/音樂學系/碩士(2021年)

https://doi.org/10.6345/NTNU202100584

摘要

貝多芬(Ludwig van Beethoven, 1770~1827)一生中共創作了五首大提琴奏鳴
曲，此論文所要分析的《C 大調第四號大提琴奏鳴曲，作品一零二之一》是他於 1815 年所譜寫的作品。本論文之結構共分為四個章節，第一章為緒論，包含筆者 的研究動機與目的和研究範圍與方法;第二章從五首大提琴奏鳴曲簡述貝多芬的 三個創作時期與貝多芬時期之大提琴發展，第一節以貝多芬的五首大提琴奏鳴曲 為出發點，進而論述他在各時期所具有的作曲手法及風格，並於第二節探討「大 提琴」這項樂器從十六至十九世紀的結構改革及演奏技巧之發展;第三章為《C 大調第四號大提琴奏鳴曲，作品一零二之一》樂曲分析與演奏詮釋，在此章節探 討作品結構、作曲手法及筆者在樂曲中想呈現的樂曲氛圍與技巧方面的演奏;第 四章為結語。

關鍵字

貝多芬 ； 大提琴奏鳴曲 ； 大提琴

並列摘要

Ludwig van Beethoven (1770-1827) composed five cello sonatas during his lifetime.
In this article will analyze Cello Sonata No. 4 in C Major, Op. 102-1 that was written by him in 1815. The structure of this article is comprised four chapters. The first chapter is the introduction that including the author’s research motivation and purpose, as well as the research scope and methods; the second chapter briefly describes Beethoven’s three creative periods, and how is a development of the cello as an instrument in his era. The first section is fallow the Beethoven’s five cello sonatas, and then discusses his composing techniques and styles in each period. In the second section is discussed that cello as an instrument what are structure evolutions in 16th to 19th and a development of performance skills; Chapter 3 is the analysis and performance interpretation of the Cello Sonata No. 4 in C Major, Op. 102-1 that will discusses the structure of this work, including the composition techniques and how to present the musical atmosphere and technique when author performs with this. Chapter 4 is the conclusion.

並列關鍵字

Beethoven ； cello ； cello sonata

參考文獻

一、中文書目（依作者姓氏筆畫遞增排序）

林肇富。《大提琴的藝術》。台北：老古文化事業公司，1985。

邵義強。《維也納古典樂曲賞析》。新北市：錦繡出版事業股份有限公司，1999。

許鐘榮。《維也納古典的樂聖》。新北市：錦繡出版事業股份有限公司，1999。

梁友梅。《貝多芬的音樂思想》。台北：天同出版社，1978。