現代打擊樂作品中爵士樂風格鐵琴作品運用與詮釋—以奈‧羅沙洛《鐵琴協奏曲》及馬克‧葛蘭沃斯的《給吉爾伯的藍調》為例

本研究旨在探討現代擊樂作品中爵士樂風格鐵琴的運用與詮釋，並以分析與詮釋奈‧羅沙洛的《鐵琴協奏曲》及馬克‧葛蘭沃斯的《給吉爾伯的藍調》兩大作品。第一章緒論說明研究動機、目的與問題，並界定研究範圍與限制；第二章為文獻探討，先敘述鐵琴的起源與發展，接著探究鐵琴的演奏技巧，並介紹爵士樂風格的發展，最後探討鐵琴作品在爵士樂風格中的演繹；第三章則為研究方法，首先將研究者所採用的研究方法做略述，再來敘述研究步驟與進程，並依據文獻資料設計爵士樂風格系統作為研究工具，以分析與詮釋奈‧羅沙洛的《鐵琴協奏曲》及馬克‧葛蘭沃斯的《給吉爾伯的藍調》兩大作品，第四章進行兩大鐵琴作品之詮釋與分析，第五章為結論。在羅沙洛的鐵琴作品《鐵琴協奏曲》，其創作靈感來源，是結合巴西當地的民謠素材與爵士樂中的音樂元素，但卻運用古典樂的手法進行創作，進而形成一種矛盾與不規則，卻又帶著熱情巴西風格與爵士風情的作品。而葛蘭沃斯的《給吉爾伯的藍調》，則是典型的使用爵士樂風格手法的作品，他運用了cool Jazz的手法，製造出藍調特有的憂鬱氛圍，並運用了大量的爵士和聲進行及swing節奏及裝飾音。研究者在分析與詮釋這兩首作品後發現，由於鐵琴的音色及音響效果很適合演奏爵士樂，甚至從文獻資料中可以發現鐵琴是因爵士樂而發展出的樂器，因此現在的擊樂作曲家會運用大量爵士樂的素材在其鐵琴作品中。搭配著鐵琴特有的音色與音響效果，當代作曲家不但將鐵琴推向獨奏樂器的行列，也為鐵琴作品增添更多不同於其它擊樂器的獨特音樂風格，使之在擊樂曲目中，更加深其重要性不可取代的地位。關鍵字：爵士樂、鐵琴

關鍵字

鐵琴；爵士樂

並列摘要

This research is focused on the usage and interpretation on the jazz style vibraphone literature in the modern percussion music works, and analyzes two important vibraphone works : Ney Rosauro’s Concerto for Vibraphone and Mark Glentworth’s Blues for Gilbert. The chapter one introduces the motivations, objectives, study scope, and methods of this research. The chapter two presents an introduction on the origin and development of vibraphone, continuing discussing the playing techniques of the instrument, and the background and evolution of the Jazz music style. At the end of the chapter, it is discussed the annotation about the Jazz style works in the modern vibraphone literature. The chapter three is discussed about what kinds of methods used in this study and explain the steps and the progress. The chapter four includes an analysis and interpretation of Ney Rosauro’s Concerto for Vibraphone and Mark Glentworth’s Blues for Gilbert. The chapter five concludes this research. In Ney Rosauro’s Concerto for Vibraphone, the composer used lots of Brazilian folk song and jazz harmony and rhythms as the motive to compose the music. In Mark Glentworth’s Blues for Gilbert, the composer used ‘cool jazz’ as the main method through out the whole music, combining with lots of Jazz harmony, swing pattern, and ornaments. After analysis these two works, it is discovered that because of the timbre of vibraphone is very unique and special, and the sound is very suitable for performing Jazz style music, modern composers like to use many Jazz patterns or Jazz harmonies into new vibraphone compositions. On the other hand, modern vibraphone music works not only consists of classical music compose techniques but also adds more different style and rhythms inside the music. On conclusion, the vibraphone literature nowadays becomes more and more important, and the instrument itself not only becomes a solo instrument but also takes more important role in the percussion family. Keywords : Jazz, Vibraphone