李斯特〈但丁詩篇讀後感－奏鳴曲風幻想曲〉之研究

本論文以李斯特（Franz Liszt,1811-1886）〈但丁詩篇讀後感－奏鳴曲風幻想曲〉（Après une Lecture de Dante－Fantasia quasi Sonata）為主題，探討但丁（Dante Alighiere,1265-1321）《神曲》（La Divina Commedia）間，與此鋼琴作品之關聯性。本論文共分為五個章節：第一章為緒論，內容包括研究動機、目的、範圍、方法及文獻探討。第二章為李斯特的創作生涯與作品特色，說明內容包括討論李斯特的創作生涯、創作技法與創作風格。第三章為李斯特〈但丁詩篇讀後感－奏鳴曲風幻想曲〉的創作背景與文學淵源，包括《巡禮之年》曲集的概述、但丁《神曲－地獄篇》的簡介以及音樂與詩篇的關聯性。第四章為樂曲形式、創作手法、樂曲分析與演奏詮釋。首先針對此首樂曲，作詳盡的樂曲分析，包含其樂曲之形式之形式、段落、調性、動機、和聲、速度、術語及技巧，而在詮釋方面，將文學融合於樂曲當中，使演奏此曲時，能表現地更具有戲劇張力。第五章為結論。

關鍵字

李斯特；但丁；神曲；奏鳴曲；幻想曲

並列摘要

This thesis focuses on Liszt，s Après une Lecture de Dante－Fantasia quasi Sonata. It is a study about the relationship between Liszt,s work and Dante，s La Divina Commedia. This thesis is divided into five chapters: the first chapter illustrates the research motive and objective of this thesis, the scope of the study and methods. The second chapter describes Liszt,s creative career, creative techniques and compositional style. The third chapter describes the relationship between literature and music in Liszt，s compositions and how he reveals his idea through Hugo，s text. The fourth chapter is the analysis and performance interpretation of this piece: the author first presents the analysis of this composition in details, regarding its structural, tonal, motivic and harmonic designs, tempo changes and musical indications; then, to produce a truthful interpretation, the author studies the content of literature, and reflects it into the music, so that playing this music, the performer is able to bring more dramatic tension into the music. The fifth chapter is the conclusion.