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  • 學位論文

內心的復活-呂佩娟創作論述

Resurrection of the heart- The Creation Concepts of Pei-chuan Lu

指導教授 : 張振輝

摘要


學習真理使內心想法復甦,進而影響創作的內涵。體會了原本不瞭解 的自我價值,透過女人這主題,將自己的特質與心情,一一透過線條與色 彩刻畫出來。此論述之摘要如下: 一、創作動機:藉著「內心」的改變,使其藝術創作產生變化。 二、理論基礎:探討分析「存在目的」,因自己存在之目的與價值 性。以女人的體態表露出的「線條」、「結構」以及「關係性」 等諸多影響,分析系列作品與藝術家作品的相關之形式、色彩、 技法。 三、創作之形式:以「平面繪畫」述說,傳達內心的世界及生命故 事,來傳達自己存在價值性之想法。以女人姿態表露出的美線 條,透過色塊營造畫面的整體性。作品理念在作者傳達與觀者接 收之間,亦存在著多種可能。 四、代表作品解析:藉創作表達內心想法的呈現,自己將作品分別為 《畫地自線》、《美線條》兩大系列,《美線條》之分別似像非 像、香芬、純然三種類型。表達人生為了存在達成目的而會努力 付出行動發揮其價值性。以女人表姿形態、花朵、與大地的關係 性做形體結構表達,也為自己心靈的變化使其在創作歷程中。 五、結論與未來創作方向:學習了人生真理,內心想法的改變更瞭解 自己存在的價值性,藉由藝術創作表達最真實的精神想法。未來 創作之努力方向即為是心靈的造就之展現在藝術創作之中。如果 沒有「目的」,便不會有「變化」,唯有達成目的,才能夠展 現。

並列摘要


By learning the truth so that my inner thoughts have changed which also have influenced my creative content.At the same time, it made me realize the self-value which I have never aware of.I expressed my feeling and character through the theme of my project —〝Woman〞. I portrayed this theme by lines and colors. The summary of this discussion are as follows: First of all, the motivation of creation:By the change of〝mindfulness〞 to make transformation of this creation of this masterpiece. Secondly, the theoretical foundation: To investigate and analyze the 〝purpose of existence.〞Because of realizing the purpose of self-existence and the value of self-existence, I used those 〝 line 〞 , 〝 structure 〞 , 〝relationship〞 and many other effects of woman’s body to analyze related forms, colors, and techniques of these series of works and projects of artists. Third, the forms of creation: I utilized 〝flat painting〞 to describe and convey the inner world of 〝mindfulness〞 and life stories. I also used it to express my idea of the value of self-existence. At the same time, I employed the postures of woman to show the beauty lines, and constructed the integrity of pictures by colors. The concept of this work is to illustrate that there will be numerous possibilities between the author’s suggestions and the audience’s responses. Fourth, the analysis of representative work: I expressed the inner thoughts through creative work. I divided my work into two major series — 〝Drowning From the Line〞, and 〝Beauty Line〞. The〝Beauty Line〞 Graduate Program in Fine Arts Tainan University of Technology ABSTRACT III series separated into three forms — “Seems Like; They Were Not Like〞, 〝Aroma〞, and 〝Stark〞. I tried to convey that people in order to achieve the purpose of self-existence, they will make great efforts to take action to put forth their value. The women postures will express the relationship of form structure among morphology, flower, and earth. I also presented the inner change of my 〝mind〞 into the process of work creation. Fifth, Conclusion and direction of future creation: By learning the truth of life, my inner thoughts have been changed. I have a better understanding of the value of self-existence. I will convey the most authentic heart and my spirit through artistic creation. My future creation direction will continually to strive upgrading and improving the human minds through my creation work. If there is no 〝Purpose〞 in life, there is no 〝Change〞 in life. Before you try to demonstrate anything, the only way is to set up the goal and reach it.

參考文獻


中文書目
參考書目
王溢嘉(1992)。《精神分析與文學》。(六版)。台北:野鵝。
田曼詩(1982)。《美學》。台北市:三民書局。
台灣聖經公會(2004)。《聖經》。台灣:台北市。

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