莫札特歌劇《費加洛婚禮》蘇珊娜詠唱調之分析與詮釋

本詮釋報告探討莫札特喜歌劇《費加洛婚禮》，除了廣義地追溯義大利喜歌劇成就出莫札特喜歌劇之外，並藉著研究劇中人物蘇珊娜的個性，以歸納出十二種蘇珊娜的面貌，來應證莫札特用歌劇的形式表現現實的人生的說法。在兩首詠唱調〈來吧，跪下〉與〈美妙的時刻終於來臨〉的探討中，以樂段、拍號、速度、調性來區別出她不同的心情，並從音樂設計中，見其刻畫人性並融入音樂的高明手法。從莫札特選擇博馬舍的著作，挑戰當時社會的尺度，並由劇作家達．彭特努力幫他避開阻碍，見到他們不懼艱難的大無畏精神，也見到莫札特為自己理想面對挑戰的勇氣。

關鍵字

莫札特；喜歌劇；費加洛婚禮；蘇珊娜；詠唱調

並列摘要

This interpretation of the repoet explores Mozart's comic opera ‘Le Nozze di Figaro’, in addition to broadly trace the achievements of the Italian comic opera out of Mozart's comic opera, should permit Mozart opera in the form of performance statement of the reality of life. In two arias “Venite inginocchiatevi” and “Giunse alfin il momento” from the music segment, time signature, tempo, tonality to distinguish her different moods. And music design, see their views on human nature and clever the way into the music. Mozart selects Beaumarchais’s drama, the challenge was the scale of society, trying to help him avoid hindered by the dramatist da Ponte, see their no afraid of hard dauntless spirit, to see Mozart as his ideal courage to face challenges.