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摘要


邊 緣 境 界 研究生 : 羅秋菁 指導教授 : 許自貴 台南應用科技大學美術系碩士班 摘要 人是萬物之靈會思考的動物,每個生命都是一個體,來去從起點到終點有幾個十年生活著,來到這世間都有各自任務要完成,沒有任何人的出生是偶然的.雖然有時父母說這個孩子是意外,但在造物主的手中,沒有任何人的出生是意外的,出生前必須選擇一個肉身心靈來完成出生前設定的目標,也必須選擇適合這任務的生活環境,包括自己的父母親、家庭親人、種族、國家等。當任務完成達成使命就是軀殼幻滅時刻,而幻滅離去是外在肉身,藏在肉身之中的靈性、意識却是不滅的。人生不過是生滅不斷、相續剎那,由一件一事和不斷流轉的生命,也在生死中流轉不停,幻滅不會帶走一切只是一段旅程的結束與開始。 本論述分五個章節,以黑白素描學習到色彩元素、媒材、紙漿、轉印、物件等多媒材構成之作品,作品分為三個系列 : 潛意識的釋放、生與離、創作歷程,2009—2013為研究創作論述。第一章: 緒論創作研究動機與緣起、內在潛意識靈動與外在環境引起的思維。第二章:理論的閱讀情緒轉換與移情、內在潛意識的釋放、藝術哲學。第三章:邊緣境界創作歷程與實踐第四章:代表作品解析,從單一媒材到複合媒材構成、紙漿、物件、轉印、影像輸出、手繪等,創作進行中多次檢討與改進,將更切切的想法意念表達在作品。第五章:結語。

關鍵字

邊原境界

並列摘要


Hung-en Chen Advisor: Tzu-Kuey Hsu Graduate: Lo-Chiu ching Abstract Every human being is unique and the course of each human life spans, from beginning to end, only a few decades. Furthermore, every human being has their own task to complete in this life, one which is set before birth.Each individual must choose a body and an environment, including their family and nationality, in order to accomplish their specific life task. Once this task is completed, their mission has been accomplished.This is the moment that life leaves that individual’s body. Thebody might decay, but one’s spirit lives on in the world. This is cycle of birth and death. Death doesn’t take away anything but the beginning and conclusion of a journey. It is called ‘the snuffing out of origin’. This discourse is divided into five chapters. It features black and white sketches, as well as colorelements, multiple mediums, pulp, objects of art and other works created between 2009 and 2012. The five chapters are divided up as follows: Chapter I: Creation motivation, origins,subconscious and thoughts caused by the external environment. Chapter 2: Theory Reading and related creation discussion. Chapter 3: The process and practice of the edge realm as rendered from simple to complex material, pulp, objects and video output. These creations are reviewed and improved several times. Chapter 4: Representative works and creative interpretation.

並列關鍵字

The edge of my territory

參考文獻


參考文獻
1. 王秀雄 (1990)。《美術心理學》。台北市: 市立美術館。
2.王溢嘉 (1979)。《精神分析與文學》。台北市: 吳氏圖書。
3. 林書堯 (1983)。《 色彩學 》。台北: 作著出版。

延伸閱讀


  • 吳雨蒼(2018)。環境影響評估在國際法的發展:邊界區域案的意涵台灣國際法學刊15(1),75-86。https://www.airitilibrary.com/Article/Detail?DocID=P20190606003-201812-201906060005-201906060005-75-86
  • 施顯章(2011)。邊界條件之理論再探討及其應用〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2011.01274
  • 王聰威(1999)。境域中外文學28(3),171-187。https://doi.org/10.6637/CWLQ.1999.28(3).171-187
  • 邱伶琳(2017)。The Vestige of Being〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-2401201712571000
  • 范銘如(2017)。The Line of the Fiction臺灣文學學報(30),27-52。https://doi.org/10.30381/BTL.201706_(30).0002

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