圓是不露稜角的、環形的、和諧的圖形,給人一種完滿、包容的感覺,我是自己,是個體的中心生命。 本創作論述的研究範圍是針對2019至2022年就讀研究所期間所做的作品,研究之出發是以「圓・我」為主題,透過研究圓形語彙系列作品。 本文第一章緒論,內容是研究動機、目的、方法、研究範圍及名詞釋義的闡述;第二章學理基礎,經由心理學家榮格的論點與藝術家的作品去深究學理與創作之間的關係。第三章創作理念與實踐,乃是筆者創作之理念、形式、媒材以及技法的表述;第四章作品分析,是筆者以圓的三個系列作品進行創作分析。 於本論述中,筆者在創作上關注生命的狀態,表現核心題材是家人,創作手法上以「圓」象徵家人,將人生意識,心理積累,個人思維轉化成直覺造形,傳達筆者對「家」感受到的深厚關注,一方面以自動性技法描繪圓的任何可能意蘊之美;另一方面企圖在作品裡反映生命與詩意的美學特色。
A circle is a shape that is not angular, but a circular, and harmonious graphic, giving people a sense of completeness and inclusiveness. I am myself and the central life of the individual. The research scope of this thesis is for the works done during the period from 2019 to 2022 at the Graduate school. The starting point of the research is the theme of "Circle and I", through the study of a circular vocabulary series of works. The first chapter of this paper covers the introduction, which is about the research motivation, purpose, method, research scope, and the definition of terms. The second chapter, the theoretical basis, delves into the relationship between academic theory and creation through the psychologist Jung's arguments and the artist's works. The third chapter is the creative concept and practice, which is the expression of the author's creative ideas, forms, media and techniques. The fourth chapter is the analysis of the works, which is the author's creative analysis with three series of circles. In this discourse, the author pays attention to the state of life in her creation, expressing the core theme of family. In this creative method, the "circle" is used to symbolize family members, transforming life awareness, mental accumulation, and personal thinking into intuitive shapes, to convey the author's deep concern of "family”. On the one hand, it depicts the beauty of any possible connotation of circles through automatism. On the other hand, it attempts to reflect the aesthetic characteristics of life and poetry in the works.