夢遊心境

A Dream-Wandering Frame of Mind

鄭韻如(Yun-Ru Cheng)

指導教授 ： 鍾曉梅

台南應用科技大學/藝術學院/美術系碩士班/碩士(2018年)

摘要

本研究主要從內心的夢境為出發點，將生活經驗和創作背景做相關連結。藉由創作的過程，表達與妹妹生活中的回憶，以及在心靈底層情緒上的無助與不確定感，導引出內心被壓抑的事物，並把它轉換成符號，以作品來加以陳述。
媒材方面以陶藝為主，表現記憶中的夢境與內心感受，並分析個人創作作品，進一步說明其內涵與表達形式，藉由創作表現的作品來記錄內心世界，檢視內在心理情緒，藉此觀看真實的自我。
本創作論述共分為五章。第一章是緒論：包含創作動機與研究目的，成長學習所遇到的困境，與生病的過程。第二章相關文獻探討：從歷史文獻及不同藝術家的作品中，探討其創作內容及表現形式，與分析作品本身的差異並進行比較。第三章創作理念與媒材：媒材技法的介紹與製作流程，以及創作的符號轉化敘述與自己潛藏內心的話語，相互結合與探討過程中延伸出符號形象的意義。第四章作品解析：以陶土創作構成，將夢裡與內心的感受投射在作品上，並分析其心境含意與作品形式的分析。第五章結論：總結各章所言。
最後，藉由分析個人夢境創作，檢視作者的創作研究成果，歸納整理出作者想表達的想法將人、事和物的變化，以釐清持續創作的思緒與方向。

關鍵字

夢的解析 ； 內心對話 ； 陶

並列摘要

This study primarily starts from my own inner dreams. It analyzes the connection between my life experience and creative production. Through the process of creation, my expression of the memories of my life with my younger sisters and the feelings of helplessness and uncertainty in my inner soul lead to converting things I formerly repressed into symbols. These symbols are then presented in my works.

In terms of media, I primarily use clay to express the memories of my dreams and my feelings. I also analyze my creations to explain their connotations and presentation. They record my heart and mind, examine my emotions, and observe my true self. I hope in the future I will be able to develop works that express my heart more fully and I will face the challenges of life more actively and courageously.

This writing consists of five chapters. The first chapter is the introduction. It discusses my motives in creating and the purpose of this research, the difficulties I encountered in growing up and my studies, and the changes in my mood when I was ill. The second chapter discusses related literature, from the historical literature to the artist’s creations, to explore the content of these pieces and their presentation, and to analyze and compare the differences. The third chapter describes the concept of each piece and the materials and techniques. It also includes an introduction of the production process. There is also a description of the symbolic narrative of these pieces and the thoughts hidden in my heart. The meaning of these symbolic images is found in the integration and discussion of the latter two concepts. Chapter four is an analysis of the pieces. Through the clay composition, my dreams and feelings are projected in these pieces. This chapter also analyzes the implications of my moods as well as the styles of these works. Chapter five is the conclusion. It provides a summary of the previous chapters.

並列關鍵字

dream analysis ； Inner dialogue ； clay

參考文獻

中文書籍

虞君質，《藝術概論》，台北：弘揚圖書，2005。

Sigmund Freud 著。孫名之譯。《夢的解析》，台北：左岸文化，2012。

熊哲宏，《心靈深處的王國-佛洛伊德的精神分析學》，湖北：教育出版社，1999。

Jane Roberts 著。王季慶譯，《靈魂永生（賽斯書）》，賽斯文化，2010。