圖文編排對整體版面與美感情緒之探討與影響

創作者期能藉由圖像及文字在版面編排上觸發觀者的美感情緒，產出一系列作品，透過一系列編排創作引導出不同的故事走向，靈感來自於創作者經常使用具象的物件及畫面，引發出抽象的意念進行創作。因此，以「迷惘的旅途」為主題，透過文字、圖像及符號相輔相成創作系列海報，並以問卷調查法探討版面上的安排對於觀者會產生何種影響。本創作論文研究目的在於探究編排如何牽動美感情緒，探討圖像、文字及輔助符號之相關文獻，嘗試將其運用在本創作論文上，並實現在作品中。創作者欲追隨及實踐詹致中（2017）：「人接觸的所有東西，都會內化成靈感一部份。」因此，創作目的乃是創作者依自身經歷內化為靈感，透過編排闡述心境及想法，藉由心中的潛意識進一步轉換為具體的物件。以「迷惘的旅途」為主題，期盼能夠藉由負面的畫面給觀者帶來激勵人心的效果，發揮蝴蝶效應。創作者透過此意念進行編排創作，剖析創作者的作品脈絡及創作歷程，闡述每一幅作品的故事內容及發想，並以問卷調查法分析觀者對於美感情緒之見解。

關鍵字

迷惘的旅途；編排設計；美感情緒

並列摘要

The creator expected to trigger aesthetic emotions from viewers through the display of graphics and texts, creating a series of works that led to different plots. The inspirations came from the concrete objects and pictures that were frequently used by the creator, giving rise to abstract beliefs to organize the creation. Hence, on the subject of “Lost Journey”, creator developed a series of posters through graphics, texts, and symbols, and discussed the influences of the editorial design on viewers via questionnaire method. The purpose of this study was to discuss the influence of the graphic layout on aesthetic emotions. By analyzing related literature about graphics, texts and auxiliary symbol, this study aimed to applicate and implement in the work. The creator attempted to pursue and put into practice what Chih-Chung Chan (2017) said: “Every single thing that we experienced will be internalized as a part of the inspiration.” Accordingly, the purpose of creation is to internalize the personal experiences of the creator into inspiration, to illustrate personal mind and belief through editorial design, and to transfer those feelings into concrete objects via the unconscious mind. On the subject of “Lost Journey”, creator utilized the pictures which implied negative feelings, and expected to bring on inspirational effect and butterfly effect. The creator designed the layout through this proposition, then analyzed the work context and creation process to illustrate the contents and concepts of each work. In the end, further analysis was implemented to examine the opinions of aesthetic emotions from viewers throughout the questionnaire method.