“歲供”體例在臺灣傳統建築裝飾圖稿的運用

The Special Architecture Festival Decoration "Suei Gung" in Taiwan

劉淑音

《藝術學報》 75期 (2004/12) Pp. 39-54

https://doi.org/10.6793/JNTCA.200412.0039

摘要

臺灣位於中國南方，與福建、江浙相鄰的關係，和畫壇中心上海，有近緣之利，加上台灣傳統建築，本就源自閩南發展形式，其裝飾吉祥象徵，自然也隨移民帶進台灣。本文擬以文獻探討與田野調查所得，藉台灣現存傳統建築的裝飾實例，探討清末歲朝廳堂清供習俗，如何在成為上海文人繪畫題材之餘，影響台灣建築的集瑞裝飾圖樣。文中所舉這類與「歲朝清供」，構圖相似的「集瑞」建築裝飾作品，正可以上窺同時代、不同藝術領域間橫向的相互影響。

關鍵字

歲朝清供（歲供） ； 建築裝飾 ； 吉祥圖案 ； 集瑞 ； 集瑞裝飾

並列摘要

This special achievement of decoration in the traditional building, it was not only attached in the surface but also follow the shape of the structure element and became to a unique subject of engraving. Many yeas ago when the emigration crossed the channel between Taiwan and FU-JIAN provincial people carried the custom from their homeland, this kind's decoration became the part of culture in Taiwan gradually.
This subject is try to map a picture between ”propitious omen” and Chinese painting, the purpose of it is build a reasonable expending for that age of art.