從美學觀點探討德布西管弦樂中的豎琴寫作

The Study Harp Writing Within Debussy's Orchesral Music from Aesthetic Perspective

宋秀娟(Hsiu-Chuan Linda Sung)

《研究與動態》 11期 (2004/12) Pp. 155-185

摘要

克勞德•阿希爾•德布西(Claude Achille Debussy1862-1918)在西洋音樂史上被視為二十世紀新音樂的開創者之一，他也確實建立了現代音樂的里程碑。他獨特的創作手法，不論在旋律、和聲、節奏、音色應用等各方面，皆有突破性的創新。除了具體的創作手法之外，由於廣泛受到文學家、畫家以及其他領域的藝術家影響，德布西發展出獨樹一格的美學理念。他的作品創作充斥著這些獨特的美學理念。德布西在其管弦樂作品中，幾乎都有豎琴的編制，且是音樂史上運用得最成功的作曲家之一。本文從美學觀點探討德布西管弦樂中的豎琴寫作，除了「緒論」外，其研究內容包括（一）德布西生平與創作；（二）「幻像」相關之美學聯想；（三）「水」相關之美學聯想；（四）「節慶」與「嬉戲」相關之音樂性；（五）「祭禮」儀式性格；（六）結論。

關鍵字

德布西 ； 豎琴 ； 印象派音樂 ； 美學

並列摘要

Claude Achille Debussy (1862-1918) is considered one of the pioneer composers in the twentieth-century music. Debussy's unique compositional techniques are reflected in his melodic, harmonic, rhythmic, and coloristic exploitations, as well as his aesthetic approaches. Debussy was a brilliant orchestrator concerning the coloristic possibilities of all instruments, and he used instrumental timbres effectively. His harp writing is regarded to one of the best composers within the Western music history. The propose of this study is to approach the characteristic of Debussy's harp writing from aesthetic perspective. The content of this study presents (1)Debussy's life and various his compositional styles; (2)the aesthetic use of harp related to ”image”; (3)the aesthetic use of harp related to ”water”; (4)the aesthetic use of harp related ”Jeux”; (5)the aesthetic use of harp related to ”sacredness”; (6)the conclusion.

並列關鍵字

Debussy ； Harp ； Impressionism ； aesthetic