在承襲了二十世紀百家齊鳴而多元化的影響之下,本文研究者的音樂創作,以「支聲複音」的運用為現階段創作思考的方向。 本文首先探討支聲複音在歷史發展過程中的特色與傳承,且在「支聲複音的建構」中,研究「旋律核心」、「變奏世界」及「平行運動」等在音樂創作中所扮演之角色,並進一步研究近代作曲家有關支聲複音概念的作品。最後在「支聲複音的運用」中,以音樂創作的思考分為「分流與匯聚」、「聲響與織度」、「時間感與空間感」、「對稱結構與陰陽和弦」及「生機與意向」等五點呈現,歸納出支聲複音在作曲方面的技巧與運用,期在廿一世紀新紀元開啓之際,對於音樂作品之創作提出一個思考的空間。 本文中試圖歸納、剖析其可能性及過程,並以作品之實例爲佐證。
Under the multi-oriented and diverse influences of the twentieth century, I use the concept of “Heterophony” as the inspiration for my current music composing. The article provides an introduction to the characteristics and continuation of Heterophony by analyzing the roles of Heterophony throughout history. The article also further applies “the construction of Heterophony” to study “the core of melody”, “the world of variation” and “the parallel movement”, analyzing their roles in music works, and further studying the works related to Heterophony by recent composers. “The application of Heterophony” is presented by “diverging and converging”, “sound and texture”, “perception of time and space”, “symmetrical structure and Chinese Ying-Yang chords”, and “vitality and inclination”. As it is the beginning of the new era of the twenty-first century, I anticipate bringing up those imaginative feelings in music composing. The article attempts to sum up and to analyze those possibilities and processes, making those concepts a part of the way of music composition.