從尹伊桑主幹音技法的探索來看亞洲作曲家在西方文化下的尋根

From the Exploration of Isang Yun's "Main Tones Technique" in Search of the Roots of Asian Composers under Western Culture

嚴福榮(Fuk-Wing Yim)

《關渡音樂學刊》 4期 (2006/06) Pp. 1-26

https://doi.org/10.29873/GMJ.200606.0001

摘要

尹伊桑(Isang Yun, 1917-1995)是一位成功走上國際音樂舞台的韓裔德國籍作曲家。他的作品裡不僅具有國際性音樂語彙的技法，更兼具有東方音樂文化的內涵。在他的作曲技法中，特別強調東方音樂文化的單音(single tone)在音樂藝術上的表現力。他將此單音概念的應用，稱之爲主幹音(main tones)技法。
很明顯地，此主幹音技法已經受到當代西方音樂界廣泛的關注與重視。事實上，除了技術方面的原因以外，有很大的關注是來自於此技法中所含有不同於西方的觀念。更進一步說明，對於尹伊桑這一位來自亞洲國家的作曲家來說，在接受西歐音樂教育中成長，在西方文化下生活。但是，在他的一生裡，仍然不斷地強調他自己是韓國裔人，無論作品標題方面，寫作意念方面，都能令人感受到作曲家內心深處那份蘊涵著深厚東方文化的情愫。究竟在他思索的創作路途上，是如何在東方傳統文化中找尋到他自己創作思維的根。正是本論文探討主幹音技法之動機所在，並將此技法回歸到創作觀念的原點上，作爲研究的出發點。另一方面，希望從尹伊桑身爲亞洲作曲家在歐洲獲得肯定的例子中，能爲吾人將來 音樂創作的發展與方向帶來一些前瞻與啟示。

關鍵字

單音技法的東方哲學 ； 韓國音樂文化 ； 中國書法 ； 主幹音技法 ； 現代西方作曲技法

並列摘要

Isang Yun (1917-1995) is a German-Korean composer who has successfully come on the international musical stage. His work not only has the techniques of the international musical vocabulary, but also has the inner meaning of the oriental musical culture. In his compositional techniques, he especially emphasized the single tone of the oriental musical culture in the manifestation of musical art. He called the application of this single tone concept as main tones technique.
It has become clear that this main tones technique has attracted wide contemporary western musical concern and attention. In fact, apart from the technical reason, much attention has come from this technique that consists of a non-western concept. In addition, Isang Yun is a composer who came from Asia, grew up from western musical education and lived in a western culture, but has life-long emphasized that he is Korean. No matter it is about the musical piece title or related to the composition concept, one can feel that in the composer's mind, he withholds an in-depth oriental culture. In thinking along his creative path, how did his oriental traditional culture find the root of his creativity? The motive of this thesis is to discuss the main tones technique, and relate this technique back to the original point of the creativity concept, and this is the starting point of this research. On the other hand, by using the example of Isang Yun who is an Asian composer recognized in Europe, it is hoped that this will in future bring to us the vision and revelation for the development and direction of musical creativity.

並列關鍵字

Single tone technique of oriental philosophy ； Korean music culture ； Chinese calligraphy ； Main tones technique ； Contemporary western compositional techniques

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