謊言、性別、政治－間諜小說《腐蝕》與《風蕭蕭》之較析

Lies, Sex, Politics-Comparison of Spy Novel "Corrosion" and "Winds Blow"

蔣興立(Hsin-Li Chiang)

《國文學誌》 25期 (2012/12) Pp. 259-276

https://doi.org/10.6973/CJ.201212.0259

摘要

本文欲回顧兩部發表於四○年代抗戰時局中，頗負盛名的長篇間諜小說，茅盾的《腐蝕》與徐訏的《風蕭蕭》，追索作者透過間諜小說文本所傳達個人對於身分認同、性別書寫、敵我辨認的觀點。《腐蝕》與《風蕭蕭》採用第一人稱限知視角，身處四○年代氣氛緊張的戰爭時期，第一人稱限知觀點的運用，有助於營造懸疑的氣氛與刺激的節奏，強化諜報小說的閱讀趣味，除此之外，作者本身也透過書寫，化身小說中的「我」，回顧個體的生命歷程，確認自我、尋求認同。《腐蝕》一書，茅盾化身女性，試圖透過性別書寫打擊國民黨父權中心，徐訏的《風蕭蕭》以女英雄取代了男英雄的位置，對照當時的局勢，被日本佔據主要城市的中國，如同被閹割的男性，男性英雄的匱缺，傳達了中國男性處於日據時期的無奈與無助。四○年代處於抗日戰爭時期，基於國族立場，中國的敵人無庸置疑是日本，然而對照茅盾與徐訏的間諜文本，卻發現其中敵我難分的曖昧與扞格。四○年代的經典間諜小說，透過女特務的書寫，意圖打擊政治上的敵人日本，但撥開謊言的迷霧，隱匿其中的，卻是一處錯綜複雜、敵我難辨的深邃迷宮。

關鍵字

茅盾 ； 徐訏 ； 身分認同 ； 性別書寫 ； 國族意識 ； 間諜小說

並列摘要

This article for a review 1940s current political situation in the war of resistance, lengthy spy novel prestigious Mao Dun's ”corrosion” Hsu Yu's ”winds blow” recourse of text through the spy novel to convey personal identity national imagination and identify the point of view of the enemy and ourselves. ”corrosion” and ” winds blow ” paced first-person limited point view, living in the 1940s era tense war period, first-person limited point of use of point of view, to help create the atmosphere of suspense and excitement, to strengthen espionage novel reading fun, in addition, of itself through the writing, the embodiment of the novel, ”I”, review the individual's life course, confirm the self, the search for identity. ”corrosion” book, Mao Dun incarnation women, trying to combat the Kuomintang patriarchal through sex writing, Hsu Yu ” winds blow ” to reset the traditional heroes of gender, to replace the malehero heroine position to control the situation at the time, occupy the major cities in Japan, China, as been castrated male, the male hero of scarcity, conveyed the Chinese men in the Japanese colonial period of helplessness and hopelessness. 1940s in the War of Resistance Against Japan, based on the position of the nation, enemies of China no doubt that Japan, control of Mao Dun and Hsu Yu spy text, however, they found hard to ambiguous which friend or foe and the mayor has. 1940s classic spy novel, through the writing of female spies intent against political enemies in Japan, but brushed aside the fog of lies, concealment which is an intricate, the struggle between the Shensui maze difficile.

並列關鍵字

Mao Dun ； Hsu Yu ； Identity ； Sex writing ； National consciousness ； Spy novel

參考文獻

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