黃友棣的音詩“琵琶行”研究

The Research of Yu-Di Huang's Musical Poem, "Pi-Pa Hsing"

申亞華(Ya-Hua Shen)

《藝術學報》 77期 (2005/10) Pp. 155-174

https://doi.org/10.6793/JNTCA.200510.0015

摘要

黃友棣先生在我國現代音樂史上佔著極重要的地位，直到現在已經九十多歲了，還是堅持自己的樂教理念－「創作民族自己的音樂及致力於大眾音樂教育，持續的將自己獻給國家社會」。黃友棣根據唐朝詩人白居易的七言詩〝琵琶行〞創作結合朗誦、鋼琴、合唱的「音詩」，是他非常重要的作品之一。本文希望藉著對黃友棣之生平、音樂思想、樂教理念、中國風格和聲之特性、白居易的〝琵琶行〞以及黃友棣音詩〝琵琶行〞之樂曲分析等方面的探討，能更深入瞭解黃友棣音樂的風格與內涵。

關鍵字

黃友棣 ； 琵琶行

並列摘要

Yu-Di Huang plays an important role in the modern music history in our country. He, at the age of nineties, has still insisted on his own principles of musical education. That is ”one has to compose the nation's own music, devote himself to the public musical education, and keep contributing himself to the country and society as well.” One of his important works, ”Musical Poetry”, based on the seven-word poem, ”Pi-Pa Hsing”, composed by the poet, Chu-Yi Pai in Tang Dynasty, combines reciting, piano music and choruses. Mr. Huang's history, thoughts of music, principals of musical education as well as the analyses of the qualities of harmony in Chinese style, Chu-Yi Pai's ”Pi-Pa Hsing”, and Mr. Huang's musical poem, ”Pi-Pa Hsing”, etc. will be discussed through this essay. To sum up, it is hoped that we can catch on the musical style and contents of Mr. Huang more deeply by doing so.

並列關鍵字

Yu-Di Huang ； Pi-Pa Hsing

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