本研究主要試圖在探討人造燈光於展示環境中的照明佈光模式及設計形式,如何配置於展示空間內,可達到某種設計效果與燈光氛圍。筆者嘗試整理自身的實務經驗與相關理論的建構,企盼以博物館的案例來進行實際的現場觀察與質性分析,就燈光的位置(Lighting arrangement)、投光方式(Lighting design)、佈光模式(Illumination model)及色溫(color Temperature)等面向,執行研究個案的調查與論述。 本研究方法採「田野調查法」、「個案研究法」以相機記錄成空間樣本,並透過實地觀察與個案樣本,從展示空間各區域燈光的基本配置形式及燈光意象與個案空間特性作質性分析與研究。 本研究主要分成五個部分:(一)動機、目的、方法(二)光源、照明之基本概念建構(三)照明設計的表現手法與技巧(四)照明基本配置、燈光意象與空間特性之調查與分析(五)研究結果與結論,期盼從中獲得一些燈光設計模式的成果,作為筆者再研究及對本主題有興趣之讀者的參考依據。
This article is about how the artificial illumination reach a specific environmental effect with the illumination model and lighting design in the display room or space. The author sorted self practical experiences and related theories to analyse the museum case in a qualitative way. Using methods like lighting arrangement, lighting design, illumination model, and color temperature to execute the research. This research adopted filedwork and case study as the ways of analysis. Further more, using camera to record the environment samples as the source to study. This research has five parts: (1) Motivation, purpose, and mothods (2) General idea of illumination and lighting (3) Techniques of lighting design (4) Cases analysis of lighting arrangement, image, and space (5) Conclusion. Hope the research can be an useful reference of lighting design.