由創作緣起論薩悌《三首吉姆諾佩第》之演奏詮釋

From the Origin of Creation, to Discuss the Interpretation of Erik Satie's "Trois Gymnopédies"

吳佩瑤(Pei-Lao Wu)

《藝術學報》 85期 (2009/10) Pp. 299-323

https://doi.org/10.6793/JNTCA.200910.0299

摘要

法國作曲家薩悌的《三首吉姆諾佩第》為家喻戶曉的鋼琴小品，音樂中流露清新氣息與優美旋律，是其廣受喜愛的主因。一般人聽到這組作品時，皆會認為是通俗音樂，但瞭解後，又對樂曲名稱感到好奇與不解。有鑑於此，筆者興起探究之心，從激發創作之根源著手，發現竟是如此多元，令筆者不禁折服於薩悌之博學與巧思。 本文從影響《三首吉姆諾佩第》的創作緣起切入，探討其根源與意義，繼而提出筆者的詮釋觀點，並佐以文人學者和薩悌友人之論點。希望藉由多面向之探討，使讀者能以不同角度去欣賞或演奏薩悌的《三首吉姆諾佩第》。

關鍵字

薩悌 ； 吉姆諾佩第 ； 薩郎波 ； 莎樂美

並列摘要

”Trois Gymnopédies” are three well-known piano pieces, composed by the French musician Erik Satie, in which reveal fresh atmosphere and beautiful melody, so it is widely fond to the public. Most people would consider popular music when they heard these pieces for the first time, and then became curious and puzzled about the music title after getting familiar with these pieces. In view of this, the author commenced with exploring the origin of creation inspired, and found that unexpected result such variety regarding of literature and arts. It makes the author can not help but impressed in Satie's erudition and ingenuity.
This paper starts with exploring the influence on the origin of creation, followed by a further discussion of its source and significance. Subsequently, the author's viewpoint of musical interpretation is proposed, the arguments from scholars and Satie's friends is also raised to support author's viewpoints. Through the research and multifarious discussion presented in this paper, the author anticipates providing readers to enjoy or to play Erik Satie's ”Trois Gymnopédies” by a different vision.

並列關鍵字

Satie ； Gymnopédies ； Salammbô ； Salome

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