論述《六個尋找作者的劇中人》的舞台藝術

有關“論述《六個尋找作者的劇中人》的舞台藝術”這篇文章主要的重點是討論皮蘭德婁的戲劇理念，內容首先針對這齣戲的主要劇情架構做了說明，從六個劇中人如何出現在這劇場上，以及如何與導演、劇團演員產生的對話的關係，六個劇中人共有父親、母親、兒子、繼女、男孩、小女孩等六個角色，除了這六個角色以外還有帕琪夫人的出現，六個角色的關係是離異的父親和母親以及四個同母異父的兄弟姐妹，故事內容是描述這個家庭的複雜關係，最後是舞台上的男孩傳來開槍自殺的聲響，震撼了整個劇院，繼女狂笑離開了劇場。本文第二部份是談到觀眾與演員的關係，以及這齣戲「戲中戲」的部份。第三部份是談到有關這齣戲的舞台設計，從「即興戲劇」的特性，以及即興戲劇與舞台設計的關係做了說明。第四部份是論述有關改編版本的演出，以台灣藝術大學戲劇系於實驗劇場的演出爲例，其內容有劇場舞台的佈置、帕琪夫人的房間與鏡子的關係、白幕的透光、影像的設計等，說明劇本、劇團、劇場、以及舞台佈置的方式。最後總結部份，認爲這個劇本提供了許多發揮的空間，讓全世界有不少的劇團，可依自己喜歡的方式去扮演它。同時說明皮蘭德婁的戲劇，使演出的舞台形成了不同的觀點，觀眾可以在欣賞之時進行思考、分析、判斷，並在思想境界中獲得啟發，從中領會出皮蘭德婁的戲劇理念。

關鍵字

劇中人；戲中戲；即興戲劇；舞台設計；觀眾與演員；鏡子

並列摘要

Regarding the '”Six Characters in Search of an Author” of the performing arts', the purpose of this article is discussion on Drama Concept of Luigi Piradello. First, it expresses the plot structure: how the six characters are shown on the play and their conversation with players and director. The six characters are the father, the mother, the son, the step-daughter, the boy and the child. Besides of them, there is Madame Pace. The story reveals complex relationships between divorced father, mother and four uterine brothers and sisters. At last the boy was killed by himself with a loudly shot, after step-daughter laughing away the theatre. The second part of this article is discussion on the relationship in play-within-a-play. The third part explains the characteristic of improvisational theatre and the stage design. The fourth part mentions adapt play. There is an example performance in black box of Drama department of NTUA. The layouts, the Madame pace's living room and the mirror, the design for curtain's pervious to light and the image design are all included in the fourth part. The final conclusion is that the play provides lots of rooms for every troupe to perform. Luigi Pirandello lets audiences think, analysis and judge during the play. Besides that, people also could be inspirited in the ideological level to understand the drama concept.