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從謝喜納的表演過程理論(Performance Process)分析WWE摔角選手的表演

Utilizing Schechner's Performance Process Approach to Analyze Performance of WWE Wrestlers

摘要


在理查‧謝喜納(Richard Schechner)歸納的表演理論中,將日常生活的表演與舞台上的表演作了統整的定義。本篇論文即透過謝氏在Performance Study一書中有關表演過程(perforrnance process)的理論架構,分析美國摔角娛樂(WWE)其中的表演過程是如何進行。謝喜納提出的表演過程有其階段性,他認為表演過程分成三大階段分別為:一、前表演(Proto-performance),二、表演(Performance),三、餘波(Aftermath)。而在第一階段中分成:1.訓練(training)、2.工作坊(workshop)、3.排練(rehearsal)三個過程,而在第二階段中也分為四項為:1.暖身(warm-up)、2.公開表演(public performance)、3.延伸性的公眾表演(events/contexts sustaining the public performance)、4.緩和(cooldown),最後的階段則有三項:1.評論回應(critical responses)、2.紀錄(archives)、3.記憶(memories)。美國摔角和大多數的運動一樣具有競賽的本質,卻以真實血腥的暴力和虛構假裝的劇情,樹立了本身獨特的表演性。本篇論文將運用謝喜納表演理論來檢視美國摔角娛樂的表演過程,從中發現摔角表演的特殊性,以及與其它運動表演的異同之處。也藉此論文更進一步結合謝喜納的表演理論於日常周遭生活中的應用,發現表演的可能性。

並列摘要


In Richard Schechner's performance studies, he defined the performances between everyday life and stages. This study utilized the theory of performance process in Schechner's Performance Study to analyze the performance process in WWE. Schechner emphasized the phase of performance process, and separated into three parts: 1. Proto-performance, 2. Performance, 3. Aftermath. The Proto-performance included other three steps: (1) training, (2) workshop, (3) rehearsal. And the Performance also included four steps: (1) warm-up, (2) public performance, (3) events/contexts sustaining the public performance, (4) cooldown. The Aftermath included: (1) critical responses, (2) archives, (3) memories. WWE had the quality of competition but also the violence and stories to establish its unique. This study went to find out the specialities in WWE's performance with Sechechner's studies.

並列關鍵字

Richard Schcchner Performance Process WWE

被引用紀錄


邱昱翔(2012)。擂臺即舞臺:職業摔角表演初探〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://doi.org/10.6835/TNUA.2012.00128

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