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誰的北投?-1990年代後北投溫泉地景的想像

Whose Beitou? -The Imagination of Hot Spring Landscape in Beitou after the 1990s

摘要


北投,素以溫泉聞名於世,地方發展也與溫泉地景的變遷息息相關。本研究透過文化地景的觀點,探討1990年代以來,北投溫泉與觀光再次結合,如何觸動地景的變動,並藉由深度訪談,試圖探究北投各方對溫泉地景的想像。1979年廢娼政策的執行,北投溫泉地景缺少了情色成分,溫泉產業隨之沒落。直至1990年代,地方發聲,促成北投溫泉博物館的成立,點燃了北投溫泉重生的契機,激起公部門、溫泉業者、居民對溫泉地景的不同想像。其中對於北投纜車的爭議,突顯了各方對地景發展皆有各自的立場與看法,揭示出地景並非僅呈現出單一表象,其背後必然隱含多重面向與深層意涵。

關鍵字

北投 溫泉地景 文化地景

並列摘要


Beitou is famous for its hot springs, and the development is also related to the transformation of the hot spring landscape. Through the perspective of cultural landscape, this research talks about the re-connection of hot springs and tourism, how it activated the change of landscape, and tries to look into the imagination from different aspects by interview. The annulment of public prostitution in the 1970s made the landscape of hot springs less erotic factor-filled, and the hot spring industry fell apart after that. It was not until the 1990s, when the locals spoke up and motivated the construction of Beitou Hot Spring Museum, that ignited the reborn of hot springs, also stirring the different imagination of the public, the hot spring owner and the residents. And the controversy of Beitou Gondola pointed out the everyone gets different opinions towards the landscape development, which revealed that landscapes is not just what it seem to be; there must be some different aspects and meanings behind it.

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