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李玉棻及其《甌鉢羅室書畫過目考》考臆

Study on Li Yu-fen and Research on Calligraphy and Paintings Seen in the Room QU-Bo-Luo

摘要


清代各類書畫著作蓬勃發展,書畫學理論、法書及書論著錄,到書法鑑賞、書法歷史資料匯編、個人題跋等等,無一不具,為書法研究開拓了新領域,同時也反映了清代書畫文化的興盛。李玉棻,清末書畫收藏家、鑑賞家,著有《甌鉢羅室書畫過目考》。《甌鉢羅室書畫過目考》記錄有清一代書畫,無論其體例及內容都深具特色,特別是書畫家傳記暨作品,並記其目睹之書畫墨蹟及收藏家,可說獨樹一幟,它是研究有清一代書畫家及其作品的重要史料。只是目前學術界對於李玉棻的生平瞭解甚少,而且《毆訴羅室書畫過日考》一書問題亦多,故本文從李玉棻及《甌鉢羅室書畫過日考》兩個部分相關問題著手,期能為要瞭解李玉棻及參考《甌鉢羅室書畫過目考》者作一個指引的途徑。

並列摘要


All kinds of works about paintings and calligraphy flourished during the Qing Dynasty. They included the calligraphy and paintings theories, models for calligraphy, recording calligraphy theories, the appreciation of calligraphy, compiling historical data of calligraphy, inscriptions and so on. It not only expands new ranges of studying calligraphy, but also reflects the prosperity in culture of calligraphy and paintings in the Qing Dynasty. Li Yu-fen(李玉棻), a collector and connoisseur of calligraphy and paintings in the late Qing Dynasty, wrote Research on calligraphy and paintings seen in the Room OU-Bo-Luo(《甌鉢羅室書畫過目考》).Research on calligraphy and paintings seen m the Room OU-Bo-Luo records the calligraphy and paintings in the Qing Dynasty. The styles and contents are characteristics of it, particularly in biographies and works of calligraphers and painters and records of calligraphy and paintings he had ever seen. It is an important source book to study the calligraphers and painters and their works during the Qing Dynasty. However, Li Yu-fens life is poorly understood by scholars. Besides, there are many questions in Research on calligraphy and paintings seen in the Room OU-Bo-Luo. Therefore, thispaper study on Li Yu-fen and Research on calligraphy and paintings seen in the Room OU-Bo-Luo to help people understand these two subjects.

被引用紀錄


鄧祥彬(2014)。舊夢曾尋碧玉家—費丹旭人物畫研究〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://doi.org/10.6835/TNUA.2014.00067
陳爽(2014)。袁江、袁耀繪畫藝術研究——以界畫為主〔碩士論文,國立中正大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0033-2110201614002112

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