論唐代散文中的海洋書寫

On the Ocean Writing in the Prose of the Tang Dynasty

吳智雄(Wu, Chih-Hsiung)

《海洋文化學刊》 27期 (2019/12) Pp. 115-152

摘要

在《全唐文》所收3035位作家的20025篇作品中，與海洋書寫相關著僅有47位作家的61篇作品；也就是說，唐代散文中的海洋書寫作品數量相當少見。在這微乎其微的唐代海洋散文中，一方面呈現由初唐至晚唐作品逐漸遞增的現象，符合時代越往後，海洋文學作品越增加的發展趨勢；另一方面，唐代海洋散文也呈現了以「賦」為主要表現文類的特色。而在「賦」類文章具有「鋪采摛文，體物寫志」的特性下，在內容主題方面呈現了相同海洋篇題競作、承繼海洋書寫傳統、擴大海洋神話想像等特色；同時更出現了五千字以上專論海潮生成之理的巨幅長篇作品，而為前代海洋文學作品中所未見。至於在表現類型方面，有直接白描書寫、狀摹海景的作品，也有吟詠海洋、藉海抒懷之作；並有發揮神話想像、敘述海洋之事的作品；而借海洋之特性以為譬喻，以及說海洋之理的作品亦可見得。因此，在中國古典海洋散文的發展歷程中，唐代海洋散文具有相當程度的重要地位。

關鍵字

全唐文 ； 海洋散文 ； 海洋書寫 ； 唐代

並列摘要

Among the 3,035 works collected in the Quan Tang Wen (全唐文, Complete Tang Prose), only 61 works by 47 writers were related to ocean writing. Although the quantity of these ocean-related proses was minimal, it could still be noted that the theme gradually increased from the early to the late Tang Dynasty, in line with the trend of ocean literature developing and thriving overtime. On the other hand, the ocean-themed proses in Tang were characterized by the form of ＂Fu＂ (賦), a type of literature focused on expressing one's emotions by means of beautiful narration of objects and personal experiences. The evolving writing style inherited the tradition of ocean writing and expanded the imagination of ocean myths. At the same time, writers competed to compose outstanding ocean proses, and there were unprecedentedly large-scale works of more than 5,000 words dedicated to the theme of ocean tide generation. In terms of literature forms, there were straightforward descriptions of the sea as well as chanting the sea to express one's feelings. Also, there were works that made use of mythical imaginations and metaphors to describe all kinds of ocean features. In addition, some works gives theoretical explanation for various ocean phenomena. Therefore, the Tang Dynasty played a considerably important role in the course of the development of Chinese classical ocean prose.

並列關鍵字

Quan Tang Wen ； ocean prose ； ocean writing ； Tang Dynasty

參考文獻

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