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台灣電影海報平面設計之研究

Research of Graphic Design of Taiwan Movies Posters

摘要


一幅有特色且引人注意的電影海報,是電影最簡短也最有利的宣傳媒介。電影海報的發展從原始時代就以繪畫或象形文字的形式萌芽,發展至歐洲便開始流行海報藝術,台灣正淪為日本帝國主義的殖民地,明治維新時期台灣的電影海報藝術也就由日本傳輸進來,之後電影海報藝術就在台灣各地開花結果。跟隨著科技的進步,圖像藉由電腦的後製影像合成技法重製,使電影海報的視覺表現形式有了無可限量的變化與成長。本研究根據海報設計的構成要素做探討,藉由文獻的整理進行分析,從電影海報設計之圖像運用、標題文字字型運用、色彩運用、平面設計構圖以及視覺設計手法等方向進行論述,本研究蒐集2008年至2017年之間台灣所發行之國片電影票房資料,選取票房數最高的前10部電影,進行電影海報設計風格之文獻歸納與分析,透過文獻資料的整理,了解電影海報設計的視覺構成與形式運用之間的關聯性。

並列摘要


A distinctive and eye-catching movie poster is the shortest and most favorable media for a movie. The development of movie posters had sprung up in the form of paintings or hieroglyphs from the primitive times, and had developed into poster art in Europe. Taiwan was becoming a colony of Japanese imperialism. Taiwan's movie poster art was also transmitted by Japan. After that, the art of movie posters blossomed throughout Taiwan. With the advancement of technology, the image was remade by the computer's post-production image synthesis technology, which has caused infinite changes and growth in the visual expression of movie posters. This research is based on the constituent elements of poster design, and analyzes it through the collation of the literature. It discusses from the image using, title font type using, color using, graphic design composition, and visual design methods of movie poster design. Research and collect the box office data of Chinese films released in Taiwan between 2008 and 2017, select the top 10 films with the highest box office numbers, and summarize and analyze the literature of film poster design styles. Through the collation of documents and data, understand the film poster design The correlation between visual composition and formal use.

參考文獻


楊清田(2007)。《圖像色彩之量化描述與傳達:海報設計群及作品之色彩量化表現與應用》。台北:全華。
何耀宗(1978)。《平面廣告設計》。台北:雄獅圖書公司,p.54、p.118、p.12
袁曼麗(1993)。〈海報設計概論〉,《淺說海報設計》。台北:台北市立美術館,p.33-p.34,。
靳埭強(1987)。《商業設計藝術》P.20,台北:雄獅圖書股份有限公司。
賴建都(2002),《台灣設計教育思潮與演進》。台北:龍溪,p.124~p.128,。

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