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道教科儀與生態哲學關係研究:以南部靈寶派〈分燈捲簾鳴金戛玉科儀〉為例

On the relationship between the Daoist Ritual and Eco-philosophy: Research on the rituals of "feng-teng-k'iuan-lien-ming-king-tchong-kia-yu-k'ing" of Lingbao School in Southern Districts of Taiwan

摘要


〈分燈捲簾鳴金戛玉科儀〉屬於南臺灣靈寶道派建壇科儀中的重要組成部分,其儀式內容,運用分燈呈現「道生一,一生二,二生三,三生萬物」的創世觀,象徵宇宙之光重新點明;透過捲簾朝聖謁帝,象徵著三清諸神重新統御這新創的天地;在鳴金戛玉科,敲金鐘二十五聲、玉磬三十聲,以河圖之數,象徵著陰陽八卦、五行五方匀淨的重新安頓,也說明了人們對新天新地的重新建立與自然和諧之宗教慈悲祈願。此宗教慈悲的願景,可作為當代可持續發展思維的借鏡。

並列摘要


The ritual, "feng-teng-k'iuan-lien-ming-king-tchong-kia-yu-k'ing", is an important part of theconstructing altar rituals of Lingbao School in Southern Districts of Taiwan. The first part of this rituals, "feng-teng" which was held that process of "The Tao produced One; One produced Two; Two produced Three; Three produced All things", presents the Daoism Genesis. Secondly, the "k'iuan-lien" ritual spreads out worship to the "Three Pure Ones" (三清). Finally, the "ming-king-tchong-kia-yu-k'ing" ritual symbolizes the resettlement which is including not only "yin-yang" (陰陽) and Eight Trigrams (八卦) but also "Wu Xing" (五行). This rituals has explained the harmony wish that the people attend. And this harmony wish is able to correspond to the meaning of sustainable development in modern time.

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