The Koji Ceramic Art has been ups and downs in Taiwan since it transferred from mainland China; created to a special art for temple’s decorations by Wang Yeh, developed for living arts by Tain-mu Lin. Lately, as the low-tech manufacturing business has shifted to low-income countries the Koji Ceramic Art is facing a lurking danger. This assay integrates the solid basis of Koji Ceramic Art and high-tech technology business through marketing skills and jointing with others business to become local cultural business by the methods of analyzing the Koji Ceramic Art developments in Taiwan, the display topics of Koji Ceramic Art, the policy of cultural development, and discussing the positioning of local cultural business.