本文通過對潘諾夫斯基(Erwin Panofsky)的論著〈哥特建築與經院哲學〉(1957)的解讀與詮釋,追尋其文本中比較的運作線索與痕跡,呈現「比較」作為建築話語中的策略與意義的雙重身份。
This paper seeks the clue and traces of the comparative operation within text, and tries to present the twofold identity of comparison as the strategy and the significance of architectural discourse through interpreting Erwin Panofsky's book ”Gothic Architecture and Scholasticism” (1957).