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  • 學位論文

影音序列組合對於敘事的影響

The Influence of Various Sequences of Video and Audio to the Narration

指導教授 : 梁朝雲 張弘毅
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摘要


本研究為一創作型研究,以影片的創作來探討影音序列組合對於敘事的影響。而本創作研究的目的為:(1) 探討聲音的基本元素、音樂編曲與曲式與聲音在影片中的功能。(2) 歸納出影音之間的互動關係,探討影音序列的排列組合對於敘事所產生的影響。(3) 利用影音序列組合的觀念,應用在創作作品的故事架構與表現形式的設計上。(4) 藉由創作作品的製作過程與成品,探討影音整合的方法以及影音序列排列組合對於敘事的影響。 研究過程首先由聲音的特性出發,藉由探討聲音的基本元素、音樂的編曲手法與基本曲式、剪接的種類與功能,推演出影音之間的互動關係以及編曲與剪接之間的關聯性。 藉由這些理論基礎,設計出影像作品。作品以「盜版唱片」作為主題,利用八段影片以及多個聲音片段之間的排列組合,創作出三支意義不同的影片。 而研究的結論為:(1) 藉由影音檔案的分類管理,可以增加影音素材的附加價值。(2) 影音素材的再利用與其限制。(3) 非線性剪輯逐漸成為主流,影音序列排列組合的觀念帶來新的創作形式,影片前製的重要性更加提高。

關鍵字

影音序列 敘事 剪接 編曲 影音素材 盜版唱片

並列摘要


This thesis is a work of creativity, in which with the creation of a film, I am inclined to discuss how the various sequences of video and audio impact on the narration in the film. The researching purposes of the creation are as follow:(1) First, I am willing to discuss the basic elements of vice, the composition of music, and the function of music form as well as voice in the film. (2) Secondly, I would like to classify the correspondent relationship between music and video, and discuss how the various sequences of video and audio impact on the narration. (3) Thirdly, employing the idea of the various sequences of video and audio, I am going to apply this to the structure of the story and the designation of the performance. (4) With the process of producing the film, I am inclined to explore the methods of integrating video and audio as well as how the various sequences of video and audio impact on the narration. Starting from the particularities of voice, by exploring the basic elements of voice, the compositive skill and music form of music, and the kinds and function of editing, I will deduce the correspondent relationship between video and music, the relevance between composition and editing. Basing on these theories, I designed the film. For the theme of “piratic records,” I employ eight segments of film and the arrangement of multi-voice segments to create the three films with different meanings. The conclusions of the research are as follow:(1) By classifying and managing the files of video and audio, it is able to increase the added value of the these materials. (2) It is clear that the recycle and restriction are in the materials of video and audio. (3) I am looking forward to contending that the non-linear editing has been the main stream, that the arrangement of video and music has brought new forms of creation, and that the importance of pre-production of video and audio has been risen.

參考文獻


1. David Bordwell原著(1999)。電影敘事(Narration in the Fiction Film)(李顯立譯)。台北:遠流。
2. Herbert Zettl原著(1989)。映像藝術(Sight Sound Motion-Applied Media Aesthetics)(廖祥雄譯)。台北:志文。
3. Jacques Aumont & Michel Marie原著(1996)。當代電影分析方法論(吳珮慈譯)。台北:遠流。
4. Stem, R., & Burgoyne, R., & Fliterman Lewis, S.原著(1997)。電影符號學的新語彙(張梨美譯)。台北:遠流。
5. 道利•安祖原著(法,年份不詳)。電影理論(The Major Theories)(陳國富譯)。台北:新潮文庫。

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