由於個人電腦的普及,使得許多攝影家及藝術家得以透過電腦語言作為創作的主要媒材,而當攝影藝術與數位媒體創作交互影響之際,亦應重新審視兩者之本質與特性。本文透過攝影相關理論整理出引發影像存在感的因素及特性,再者思考數位影像及互動多媒體的表現特質,並分析相關應用案例,整理出影像存在感表現的方式,最後實際透過互動多媒體的整合呈現最終作品。實際創作以「影像•景象─新竹」作為創作主題,期望透過互動多媒體多樣化的表現方式,使觀者得以思考及體驗環境存在元素的改變,突顯台灣都市發展地景文化的快速變遷。最後研究者並提出相關後續發展方向,期望未來能夠透果更多元表現及互動方式,將影像存在感的特質實際應用於相關領域中。
Due to the wide spread of computer technology, many photographers and artists are now using computers as a medium for their creations. Accordingly, more attention should be focused on the specialties and elements when traditional photography and digitalized creations merge into each other. This study analyzes what elements may bring the image’s sense of existence to viewers based upon related photography theories. Next, this research leads to rethink the attributes of digitalized image and interactive media in presence, as well as several case studies to sum up how the image’s sense of existence is presented. Finally, a creation in interactive multimedia that brings the image’s sense of existence is presented. Entitled ”Image and Landscape in Hsin-Chu,” this creation allows viewers experience the rapid change of the city’s landscape and image brought by civilization. This study also maps directions for further research and looks forward to applying theories to related fields in the image world.