摘要
因為意識到自我的「不能」，無力感倍增之餘，對於器官、肢體無法克制的想像，假使人的器官或是細胞能夠像機械零件般的單純…藉由數個固定的分子亦可稱之為零件，作為元素加以堆疊、重組再解構，希望加強「零件」，可以拆解、能夠替換的意義，並重視零件與零件間的二度分生，重新組合再造後，扭曲並修飾成另一個不同於現實的空間；首先繪製了很多看似機械零件的物體元件，這些元件就是構成未來世界的基本元素，再另用絹印的方式，將其製版反覆印刷於畫面上，印製的當中利用這些元件拼裝組合成不同的風貌，不同元素的拼裝又可以再產生出新的元素，新的元素再和新的元素混合又有新的發展，如此一來世界就越趨龐大，架空未來的變動無法停止，我的想像也無從止息，持續的透過非規律性地反覆印刷過程，不斷的複製這些基本元件，建構的方式也越趨複雜，在此過程中漸漸把想像的世界組合成形。
並列摘要
Realizing my incapacity and the accompanying helplessness, I started to imagine another kind of human organs and limbs. What would life be if human organs, if human cells were as simple as the components of a machine? Those components would be formed by many specific elements and could be stacked, mixed, assembled, deconstructed. I focused on the meaning of components as elements which can be disassembled and substituted. I also thought about the reprocessing of and the relationships between each component. Remixing and reproducing those components moved them to another space, different from our real world, through warping and adorning. First, I made many components which looked like machine parts, and form the basic elements of my world. Then I used silk screening to print them on the page again and again. During the process, the components started to mesh together, forming new ones. Repeating the process, the new ones were transformed into newer components still. As a result this world of mine expanded more and more, growing larger and larger. The variations existing in this world would be endless. I gradually built up my world in this manner.
參考文獻
延伸閱讀
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