表演藝術團體導入數位典藏作業程序之研究

A Study on the Digital Archiving Process for Performing Arts Groups

林芳伶(Fang-Ling Lin)

指導教授 ： 柯皓仁

國立臺灣師範大學/教育學院/圖書資訊學研究所/碩士(2011年)

摘要

表演藝術產業孕育豐富的文化資產，表演藝術團體運用有限的資源保存其作品，若表演藝術團體導入數位化，進行數位典藏，將能讓表演藝術此一豐富的文化資產得以長久保存。本研究旨在探究已實施數位典藏之表演藝術團體的經驗，包括導入動機、導入前後工作流程與組織之差異及面臨之困難問題、後續效益與加值應用；對於未實施數位典藏表演藝術團體，則瞭解其未導入的原因及導入意願，並期藉由已導入團體之經驗，做為未導入者之參考；對於曾與表演藝術團體合作數位典藏的學界或文化機構，則瞭解其與表演藝術團體合作數位典藏之模式。
本研究採用質化研究方法，以半結構式深度訪談進行資料蒐集，共訪問十位受訪者，其中包含七家表演藝術團體、兩家學術單位與一家文化機構，研究結果發現：（1）表演藝術團體主要受外在、內在因素影響與提升作品內容價值而導入數位典藏；（2）制定數位檔案規範有助於表演藝術團體之資料管理；在導入數位典藏時，表演藝術團體多採任務編組之方式進行；（3）著作權為數位典藏重要之課題；（4）表演藝術團體與學界跨領域合作，並建立團隊領導中心，以進行數位典藏；表演藝術團體從數位典藏實作當中獲得合作經驗；（5）數位典藏建置有益提升表演藝術團體曝光度；（6）數位典藏建置對加值應用之助益有待觀察評估；（7）經費不足為表演藝術團體未導入數位典藏之關鍵，產學合作提高表演藝術團體導入數位典藏之意願。
根據研究結果，本研究分別對表演藝術團體與政府單位提出建議，在表演藝術團體方面，建議以專案尋求與具備數位典藏經驗之學術單位或文化機關的合作機會；政府單位方面，期望政府能夠指定專責部會，如文建會，來輔導表演藝術團體導入數位典藏。未來研究建議則有：（1）採用問卷普查對更多表演藝術團體資料保存與數位典藏情形進行瞭解；（2）國內表演藝術團體是否可能發展如柏林愛樂之線上購票欣賞表演的機制；（3）針對數位典藏所產生之後續效益與應用成效進行探究。

關鍵字

表演藝術團體 ； 數位典藏 ； 工作流程 ； 內容分析

並列摘要

Performing art organizations cultivate rich cultural assets. Performing arts groups utilize limited resources to reserve their works. If they can adopt digitalization to their works and establish digital archives, rich cultural assets can be reserved for a long term. This thesis attempts to investigate the experiences of performing arts groups which have created digital archives, including motivations, processes, organization change, difficulties, benefits, and value-added applications. For those which have not yet create digital archives, this thesis attempts to understand their reasons and thoughts. In addition, for academic and cultural institutions which have the experiences of cooperating with performing arts groups to establish digital archives, this thesis tries to understand the cooperation models.
This thesis adopts the qualitative research approach and conducts the semi-structured in-depth interviews to collect data. Ten interviewees, including seven performing arts groups, two academic departments and one cultural institution, are contacted. The findings of this thesis are as follows: (1) The primary motivations of introducing digital archives by the performing arts groups are the influence of the external and internal factors and the purpose of enhancing their work value. (2) The establishment of the specification of digital files will help the performing arts groups to manage their data. The method of mission groups is majorly adopted by the performing arts groups in the process of creating digital archives. (3) Copyright is one significant issue of digital archives. (4) To develop digital archives, the performing arts groups usually cooperate with academic teams and therefore acquire relevant experiences from the implementation of digital archives. (5) The establishment of the digital archives will aid the performing arts groups to gain publicity. (6) It remains to be seen whether the creation of digital archives are beneficial for the development of value-added applications. (7) The absence of sufficient funds is the key reason why the performing arts groups failed to introduce the digital archives. The collaboration of the performing art groups and the academy will increase the willingness of the performing arts groups to launch the digital archives projects.
Based on the results, this thesis proposes the following suggestions for performing arts groups and governmental agencies. In terms of performing arts groups, it suggests that they can look for project cooperation opportunities with academic departments and cultural institutions that have experiences in digital archives programs. In terms of government agencies, it is expected that the government can designate a dedicated department, such as Council for Cultural Affairs (CCA), to help performing arts groups adopt digital archives. Three future research directions are pointed out: (1) Conduct questionnaires to generally understand the status quo of performing arts groups in creating digital archives. (2) Understand whether performing arts groups in Taiwan can follow the example of Berliner Philharmoniker to develop online real-time system for watching performances. (3) Investigate the follow-up benefits of digital archives and the effectiveness of utilizing digital archives in value-added applications.

並列關鍵字

Performing Arts Groups ； Digital Archives ； Workflow ； Content Analysis

參考文獻

柯皓仁主持(2007)。雲門舞集舞作資產數位典藏計畫（國科會專題研究計畫成果報告，NSC 95-2422-H-009-001）。新竹，國立交通大學圖書館。

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