再現家庭共生關係－析論張作驥電影《當愛來的時候》

The Re-presentation of Familiar Affection- An Analysis and A Review of "When Love Comes", The Film Directed by Chang Tso-Chi

曾玉芳

指導教授 ： 應鳳凰

國立臺灣師範大學/文學院/台灣語文學系/碩士(2012年)

摘要

本文選取張作驥導演於2010年執導的電影作品：《當愛來的時候》為研究題材，旨在研究台灣電影所呈現之家庭、母女關係與有著去勢焦慮的父權。試圖透過女性主義批評、母女關係理論及電影敘事手法等分析方式，耙梳其電影主題脈絡。進而推演出電影裡母女關係與父權體制所呈現出台灣社會文化特殊的情境與背景，以及如何地順從或顛覆父權。這其中也包含母女兩代的行為模式與互動關係投射出的情感脈絡、成長經驗與身分認同。

筆者以電影中的母女關係和女性角色為中心，輔以其他親情互動及男性角色，闡述家庭成員間的共生關係。在片中這個不那麼「正常」的家庭中，親情並非侷限於血親關係中，而是相互涉入彼此生命的互動。電影中的「母親」角色雖展現了無與倫比的堅強與韌性，但也不乏她們始終依附傳統、恪守母職與被父權體制箝制的敘事情結。在另一方面，雖然故事中的入贅丈夫（父親）呈現出無能、軟弱與去勢焦慮，但他仍有形或無形地透過其男性的地位，介入與影響家中其他女性成員的生命歷程。最終，導演以某種程度的女性挫折為電影中的男性去勢焦慮解套，並以未成年懷孕女兒的視野，對家的本質做出了另一詮釋。

關鍵字

母女關係 ； 家庭 ； 女性主義 ； 去勢模擬

並列摘要

Through using Director Chang Tso-chi’s No. 6 films directed in 2010, "When Love Comes", this study analyzes the family, mother-daughter relationship and patriarchy with castration complex in Taiwan’s movies. Also, this study attempts to methodize sequence of movie themes through some analytical methods such as feminist criticism, mother-daughter relationship theory, and film narrative pattern and so on. Furthermore, this study will deduce special circumstances and background of Taiwanese social culture reflected by mother-daughter relationship and the patriarchal system, and how to obey or to subvert the patriarchal. This is including intricacy of emotion, growing experience and sense of personal identification expressed by the behavioral models and interactions between mother-daughter generations.

The author focused on the mother-daughter relationship and the role of women in the movie but also other family interaction and the male characters to state the familiar interaction between the family members. In such an ‘abnormal’ family, familiar affection should be the interaction of each other's lives rather than limited to the genetic relationship. The role of ‘mother’ in the film has demonstrated unparalleled strength and toughness, but there are still a lot of scenes with regard to that they always depend on tradition, abide motherhood and are restrained by patriarchy. On the other hand, what the husband/father in an uxorilocal marriage showed are incompetentness, weakness, and castration complex but he still tangibly or intangibly intervened and influenced the life courses of the other female members in his family by his male position. Finally, the director used a certain degree of female frustration to relieve the male castration complex and gave a different interpretation of the nature of home from a teenage pregnancy daughter's viewpoint.

並列關鍵字

mother-daughter relationship ； family ； feminism ； castration complex

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