黃郁芳鋼琴演奏會含輔助文件 探索舒曼《交響練習曲》補遺五作與十二首練習的對話

YU-FANG HUANG PIANO RECITAL WITH A SUPPORTING PAPER EXPLORING ROBERT SCHUMANN’S SYMPHONIC ETUDES: A DIALOGUE BETWEEN POSTHUMOUS VARIATIONS AND THE ORIGINAL ETUDES

黃郁芳(Yu-Fang Huang)

指導教授 ： 辛幸純

國立交通大學/人文社會學院/音樂研究所/碩士(2014年)

https://doi.org/10.6842/NCTU.2014.00017

摘要

《交響練習曲》共經歷了四次出版，在第四版中克拉拉及布拉姆斯將舒曼手稿中未被發現的五首變奏以附加的方式加以出版，因而形成此曲在彈奏上對於各段變奏順序安排上的差異。
本文將著重在分析每首練習及變奏過後，探討其中的相關性，進而將十二首練習及五首變奏作結合。同時，在經過分析的過程更加了解舒曼的音樂語彙及特色。
本文除了前言及結語共分為三個章節，第一章說明舒曼的音樂特色以及《交響練習曲》的創作背景；第二章為分析十二首練習的變奏手法；第三章則為分析五首變奏以及探討在本人所選擇的編排方式中，十二首練習及五首變奏的相關性。

關鍵字

舒曼 ； 交響練習曲

並列摘要

Symphonic Etudes was published four times. In the fourth edition, Clara and Brahms published five variations which were undiscovered before in Schumann’s autograph of twelve etudes. That is why there are many differences in the performance order of the pieces in this work.
After observations made on each number, this thesis will focus on investigating the relationship between the original etudes and these added variations, in order to reach a rationale in combining the twelve etudes and five variations. Meanwhile, understanding Schumann’s musical language and characteristic becomes easier after such study.
This paper is divided into three chapters: the first chapter explains the features in Schumann’s music as well as the Symphonic Etude’s background; the second chapter looks closely into the twelve etudes; the final chapter not only looks into the five variations but also investigates the correlation between these etudes and variations in the present choice of order.

並列關鍵字

R. Schumann ； Symphonic Etudes

參考文獻

Daverio, John & Sams, Eric. “ Robert Schumann. “ In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/40704pg4?q=robert+Schumann&search=quick&pos=5&_start=1#firsthit (accessed November 20, 2013).

Abraham, Gerald.” Modern Research on Schumann.” Proceedings of the Royal Musical Association, 75th Sess (1948 - 1949): 65-75.

Daverio, John. Robert Schumann-Herald of a “New Poetic Age”. New York: Oxford University Press, 1997.

Daverio, John. Nineteenth- Century Music and the German Romantic Ideology. New York: Schirmer Books, 1993.

Davies, Fanny and Corder, Frederick. “Robert Schumann. About Schumann's Pianoforte Music.” The Musical Times, Vol. 51, No. 810 (1910): 493-496.