《形不形》分色式立體影像實驗性創作

"Shape & Shapeless" Experimental Creation of Anaglyph Images

黃維政(Wei-Cheng Huang)

指導教授 ： 黃鐉津

國立臺中科技大學/設計學群/商業設計系碩士班/碩士(2011年)

https://doi.org/10.6826/NUTC.2011.00028

摘要

近年來，立體影像的熱門話題總是圍繞在「電影」與「顯示器」中，而「立體影像技術」對印刷設計者而言，在乍聽之下似乎艱澀難懂，但事實上，分色式立體影像僅需透過「拍照」與「影像處理軟體」就可輕易創造出立體感。本文是以實驗的過程記錄為主要內容，以舞蹈的肢體表現及虛境氛圍的立體表現為創作目的。
整個過程以文獻分析法了解市場動態、初探立體影像的學理基礎、建構分色式立體影像的認知，以實驗法利用數位單眼攝影器材(APS-C)，習作拍攝靜態物體，使用繪圖軟體進行影像立體化後製程序，並掌握較佳的影像佈局。為捕捉動態的立體影像，採用同步攝影器材，並嘗試將糢糊形體呈現立體感，以動感的流水題材作為「預展」，透過預展測試立體印刷表現能力、觀眾反應與接受程度、空間策劃之成果預習。成果展內容是由舞蹈肢體語言結合花卉之表現為開端，以經驗法後製多重影像合成、鏡射立體編輯、繪製立體元素、框景構圖等形式表現，最後以創作重複曝光的立體、複投影雙重立體、全視差影像及立體影格等內容表現，並再次嘗試創作虛境氛圍的立體影像。透過《形不形》的創作成果展出，期待能讓更多觀眾了解立體影像的成像概念，藉此反思立體影像在平面設計領域中之應用價值。

關鍵字

數位攝影 ； 影像處理 ； 印刷設計 ； 舞蹈 ； 虛擬實境

並列摘要

In recent years, three-dimensional image is popular and most commonly used of "movie" and "screen display"! It is difficult to follow for graphic designers In terms of "stereoscopic imaging technology". But in fact, anaglyph images can be easy to grasp through photography and Photoshop, then three-dimensional image can be present in visual design.
The creation is based on the record during the experiment as the main content, the body move and the fantasy imagery for the purpose of visual representation. Creative process is based on content analysis of market-moving events, the theoretical basis of three-dimensional image, and the knowledge of anaglyph images. And through experimental method, the researcher use advanced photo system type-C shooting static objects and control the equivalence parallax. And by the post-production process, software helps to present a better three-dimensional element. To capture the dynamic three-dimensional images the researcher use two cameras and shoot with two lenses simultaneously. And try to shoot object which is blurred and indistinct (such as clouds, smoke, water and light) to show its three-dimensional images. The preview “The flow of water” as experimentation to exam the presentation of three-dimensional images prints, audience's reaction and the environmental planning and practice for the main exhibition.
The contents of the exhibition "Shape & Shapeless" was start with dancing body move combined with peony image. By empirical method, the researcher tried to create multiple images, Mirror-dimensional, Draw three-dimensional elements, frame composition and other three-dimensional images. Finally, create multiple exposure three-dimensional, projector to project three-dimensional remake of the double, images overlap completely the difference and three-dimensional animation, and multiple forms, and then try again to create a dream-like three-dimensional image. Through the display of the creations "Shape & Shapeless", the researcher hopes to make more audience to know the concept of three-dimensional image, and to consider the application of stereoscopic imaging technology practice in graphic design.

並列關鍵字

Photography ； Photoshop ； print design ； dance ； virtual reality

參考文獻

李秋玫，2010，《PAR表演藝術雜誌，205期。

許精益、黃乙白，2007，〈3D立體顯示技術之發展與研究〉，國立交通大學，光學工程第98期 http://adolab.ieo.nctu.edu.tw/main.php (檢索：2011/2/13)

王泓斌，2002，互動超媒體設計應用於虛擬資訊空間之研究，國立成功大學工業設計研究所碩士論文。

王啟仲，2002，3D顯像系統在博物館之展示應用，元智大學藝術管理研究所碩士論文。

陳彥宏，2008，〈靜態影片立體化之合成演算法〉，國立成功大學變腦與通信工程研究所，碩士論文。