本創作運用仿生設計(Bionic design)思維融入產品設計裡,不僅能永續自然萬物之美,亦能為人類增添生活樂趣。因此,本創作以臺灣「蘭花之后」-蝴蝶蘭作為仿生設計的研究對象,透過形態分析法、結構分析法、肌理分析法、結構色彩分析法、功能分析法解析蝴蝶蘭的造形特徵與物理結構,並藉由仿生與演化設計創作蘭卉燈飾,展現蘭花造形之結構組成,與視覺美學與展現。藉由省能與環保材質的運用,創作出五件蘊含蘭卉仿生之美的居家燈飾(包含吊燈、桌燈、壁燈立燈、工作燈),作品從創作中歸納蘭卉數理美學的三大準則(包含五邊形、三角形、曲線),期許作為未來相關燈具設計之參考模式。
By integrating the concept of bionic design into product design, this work could not only eternalize the beauty of Nature, but also add pleasure to human life. This work thus used butterfly orchids--the "Queen of Orchids" in Taiwan--as the research subject of its bionic design. By analyzing the shape features and physical structures of butterfly orchids through morphological analyses, structural analyses, texture analyses, structural color analyses and functional analyses, and with the help of bionic and evolutionary designs, the designer was able to create orchid-shaped lights, with the aim to demonstrate the shape and structure of orchids, as well as to display the visual aesthetics. Five household lights (including a chandelier, a desk lamp, a wall light, a floor lamp and a working lamp) that embodied the bionic beauty of orchids were then produced through the use of energy saving and environmental friendly materials. Three mathematical aesthetic principles of orchids (including those on pentagons, triangles and curves) were summarized from these works. It is hoped that they could serve as reference models for relevant lamp designs in the future.