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  • 學位論文

立體形繞邊配色之情感感受

The Affective Feelings of Color Combinations on Side Circle of 3D Shaps

指導教授 : 李文淵
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摘要


本研究之目的在於探討立體繞邊造形之配色對情感感受的影響,並利用數學模型建立起色彩特徵與情感感受之間的關係。為此,本研究進行了三個實驗。 實驗一利用 6 組情感量尺調查 4 種長方體之高寬比例的情感感受。結果發現:(1)“重的-輕的”感覺受到長方體高寬比的影響。(2)長方體高寬比對於“躍動的-沉靜的”、“柔軟的-堅硬的”、“溫暖的-寒冷的”、“複雜的-簡單的”和“喜歡的-不喜歡的”感覺之影響並不顯著。 實驗二利用實驗一之樣本搭配 3 種比例的繞邊造形,組合出 12 個實驗樣本,利用 7 組情感量尺來調查這 12 個樣本的情感感受。結果發現:(1)“躍動的-沉靜的”、“調和的-不調和的”、“柔軟的-堅硬的”和“複雜的-簡單的”感覺受到繞邊與主體之比例的影響。(2)“重的-輕的”感覺不會受到繞邊造形之影響。(3)“溫暖的-寒冷的”和“喜歡的-不喜歡的”感覺不受主體高寬比與繞邊比主體之比例的影響。 實驗三將 122 種配色賦予於立體繞邊造形,使用 6 組情感量尺來調查立體配色的情感感受。結果發現:(1)兩色之明度總和與兩色之彩度總和影響“躍動的-沉靜的”情感。(2)兩色之明度總和影響“重的-輕的”感覺。(3)若有一色為無彩色時,兩色之明度總和影響“調和的-不調和的”感受,若兩色皆為有彩色時,兩色之色相角度差與兩色之彩度差影響“調和的-不調和的”感覺。(4)兩色之明度總和與兩色之彩度總和影響“柔軟的-堅硬的”情感。(5)兩色之明度總和、兩色之彩度總和與兩色之色相角中間值影響“溫暖的-寒冷的”感受。(6)若有一色為無彩色時,兩色之明度總和與兩色之色差影響“複雜的-簡單的”感受,若兩色皆為有彩色時,兩色之色相角度差與兩色之彩度差影響“複雜的-簡單的”感覺。本研究並以立體配色與情感感受的關係為基礎,發展出一系列情感模型。

關鍵字

情感感受 配色 比例 繞邊造形

並列摘要


The purpose of this study is to see the affective feelings of color combination on 3D shape. Three experiments were carried out in this study. Experiment I investigated how the cuboids having different proportion of height to width influence affective feelings. The results showed that “heavy-light” was affected by proportions on shape. Experiment II investigated how the proportion of side circle to cuboid influence the affective feelings. The results showed that “active-passive”, “harmonious-disharmonious”, “soft-hard”, and “complex-simple” feelings were affected by the proportion of side circle to cuboid. “Warm-cool” and “like-dislike” feelings were not affected by any proportion. Experiment III used 122 color combinations on 3D shape to investigate the affective feelings. The results showed that (1)Two colors having high summary of lightness and chroma tended to have “active” feeling, low summary of lightness and chroma “passive” feeling. (2)Two colors having high summary of lightness tended to have “light” feeling, low summary of lightness “heavy” feeling. (3)If one of the two color is achromatic color, the summary of lightness determined “harmonious–disharmonious” feeling. Otherwise, two colors having smaller hue difference and chroma difference tended to be more “harmonious”. (4)Two colors having high summary of lightness had “soft” feeling, low summary of lightness “hard”.(5)Hue angle and the summary of lightness and chroma determined “warm–cool” feeling. The two colors with the middle hue angle of 51° between two colors together with high lightness and chroma summary tended to have “warm” feeling. (6)If one of the two is achromatic color, two colors having high summary of lightness and color difference tended to have “simple” feeling. Otherwise, two colors having great hue difference and chroma difference tended to have “complex” feeling, smaller difference of hue and chroma “simple”.

參考文獻


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